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Informationen zum Autor Dan Simmons , a full-time public school teacher until 1987, is one of the few writers who consistently work across genres, producing novels described as science fiction, horror, fantasy, and mainstream fiction, while winning major awards in all these fields. His first novel, Song of Kali, won the World Fantasy Award; his first science fiction novel, Hyperion, won the Hugo Award. His other novels and short fiction have been honored with numerous awards, including nine Locus Awards, four Bram Stoker Awards, the French Prix Cosmos 2000, the British SF Association Award, and the Theodore Sturgeon Award. In 1995, Wabash College presented Simmons with an honorary doctorate in humane letters for his work in fiction and education. He lives in Colorado along the Front Range of the Rockies. Klappentext State of the art science fiction . . . a landmark novel. Isaac Asimov's Science Fiction MagazineNow, in the stunning continuation of the epic adventure begun in Hyperion, Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing nothing anywhere in the universe will ever be the same.Praise for The Fall of Hyperion One of the finest SF novels published in the past few years. Science Fiction Eye A magnificently original blend of themes and styles. The Denver Post Zusammenfassung State of the art science fiction . . . a landmark novel. Isaac Asimov's Science Fiction Magazine Now! in the stunning continuation of the epic adventure begun in Hyperion ! Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion! the mysterious Time Tombs are opening. And the secrets they contain mean that nothingnothing anywhere in the universewill ever be the same. Praise for The Fall of Hyperion One of the finest SF novels published in the past few years. Science Fiction Eye A magnificently original blend of themes and styles. The Denver Post ...
Klappentext
State of the art science fiction . . . a landmark novel. Isaac Asimov's Science Fiction Magazine Now, in the stunning continuation of the epic adventure begun in Hyperion, Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing nothing anywhere in the universe will ever be the same. Praise for The Fall of Hyperion One of the finest SF novels published in the past few years. Science Fiction Eye A magnificently original blend of themes and styles. The Denver Post
Zusammenfassung
“State of the art science fiction . . . a landmark novel.”—Isaac Asimov's Science Fiction Magazine
Now, in the stunning continuation of the epic adventure begun in Hyperion, Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing—nothing anywhere in the universe—will ever be the same.
Praise for The Fall of Hyperion
“One of the finest SF novels published in the past few years.”—Science Fiction Eye* *
“A magnificently original blend of themes and styles.”—The Denver Post
Leseprobe
On the day the armada went off to war, on the last day of life as we knew it, I was invited to a party. There were parties everywhere that evening, on more than a hundred and fifty worlds in the Web, but this was the only party that mattered.
 
I signified acceptance via the datasphere, checked to make sure that my finest formal jacket was clean, took my time bathing and shaving, dressed with meticulous care, and used the one-time diskey in the invitation chip to farcast from Esperance to Tau Ceti Center at the appointed time.
 
It was evening in this hemisphere of TC2, and a low, rich light illuminated the hills and vales of Deer Park, the gray towers of the Administration complex far to the south, the weeping willows and radiant fernfire which lined the banks of River Tethys, and the white colonnades of Government House itself. Thousands of guests were arriving, but security personnel greeted each of us, checked our invitation codes against DNA patterns, and showed the way to bar and buffet with a graceful gesture of arm and hand.
 
“M. Joseph Severn?” the guide confirmed politely.
 
“Yes,” I lied. It was now my name but never my identity.
 
“CEO Gladstone still wishes to see you later in the evening. You will be notified when she is free for the appointment.”
 
“Very good.”
 
“If you desire anything in the way of refreshment or entertainment that is not set out, merely speak your wish aloud and the grounds monitors will seek to provide it.”
 
I nodded, smiled, and left the guide behind. Before I had strolled a dozen steps, he had turned to the next guests alighting from the terminex platform.
 
From my vantage point on a low knoll, I could see several thousand guests milling across several hundred acres of manicured lawn, many of them wandering among forests of topiary. Above the stretch of grass where I stood, its broad sweep already shaded by the line of trees along the river, lay the formal gardens, and beyond them rose the imposing bulk of Government House. A band was playing on the distant patio, and hidden speakers carried the sound to the farthest reaches of Deer Park. A constant line of EMVs spiraled down from a farcaster portal far above. For a few seconds I watched their brightly clad passengers disembark at the platform near the pedestrian terminex. I was fascinated by the variety of aircraft; evening light glinted not only on the shells of the standard Vikkens and Altz and Sumatsos, but also on the rococo decks of levitation barges and the metal hulls of antique skimmers which had been quaint when Old Earth still existed.
 
I wandered down the long, gradual slope to the River Tethys, past the dock where an incredible assortment of river craft disgorged their passengers. The Tethys was the only webwide river, flowing past its permanent farcaster portals through sections of more than two hundred worlds and moons, and the folk who lived along its banks were some of the wealthiest in the Hegemony. The vehicles on the river showed this: great, crenelated cruisers, canvas-laden barks, and five-tiered barges, many showing signs of being equipped with levitation gear; elaborate houseboats, obviously fitted with their own farcasters; small, motile isles imported from the oceans of Maui-Covenant; sporty pre-Hegira speedboats and submersibles; an assortment of hand-carved nautical EMVs from Renaissance Vector; and a few contemporary go-everywhere yachts, their outlines hidden by the seamless reflective ovoid surfaces of containment fields.
 
The guests who alighted from these craft were no less flamboyant and impressive than their vehicles: personal styles ranged from pre-Hegira conservative evening wear on bodies obviously never touched by Poulsen treatments to this week’s highest fashion from TC2 draped on figures molded by the Web’s most famous ARNists. Then I moved on, pausing at a long table just long enough to fill my plate with roast beef, salad, sky squid filet, Parvati curry, and fresh-baked bread.
 
The low evening light had faded to twilight by the time I found a place to sit near the gardens, and the stars were coming out. The lights of the nearby city and Administration Complex had been dimmed for tonight’s viewing of the armada, and Tau Ceti Center’s night sky was more clear than it had been for centuries.
 
A woman n…