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Winner of the Los Angeles Times Book Award for Poetry (2009) Runner-up for the Northern California Book Award for Poetry (2009)
Practical Water is, like Brenda Hillman's previous two books, Cascadia and Pieces of Air in the Epic, both an elemental meditation and an ecopoetics; this time her subject is water: Taoist water, baptismal water, water from the muses' fountains, the practical waters of hydrology from which we draw our being-and the stilled water in a glass in a Senate chamber. Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also-because it is about many kinds of power-is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.
Autorentext
BRENDA HILLMAN is the author of seven collections of poetry and, with Patricia Dienstfrey, the editor of The Grand Permission: New Writings on Poetics and Motherhood (2003). She is the Olivia Filippi Professor of Poetry at Saint Mary's College, and works with CodePink, a social justice organization against war. Hillman won the William Carlos Williams Award for Pieces of Air in the Epic.
Zusammenfassung
Practical Water is, like Brenda Hillman's previous two books, Cascadia and Pieces of Air in the Epic, both an elemental meditation and an ecopoetics; this time her subject is water: Taoist water, baptismal water, water from the muses' fountains, the practical waters of hydrology from which we draw our being--and the stilled water in a glass in a Senate chamber. Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also--because it is about many kinds of power--is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.
Inhalt
Partita for Sparrows
Practical Water
Enchanted Twig
Ballad at the State Capitol
Rhopalic Aubade
International Dateline
The Eighties: An Essay
[i looked up from my reading]
Phone Booth
Tiergarten Scenes
Autumn Fugue
Shadows in Snow
Landing in Fog
Pacific Ocean
Reportorial Poetry, Trance & Activism: An Essay
In a Senate Armed Services Hearing
Northern California Women
Dragonskin
Near the Great Arch
A Violet in the Crucible
Girl Sleuth
From the White House Lawn
Permission to Be Strange
The Late Cold War
In a House Subcommittee on Electronic Surveillance
In the Trance
Economics in Washington
september moon / september moon
october moon / october moon
november moon / november moon
december moon / december moon
january moon / january moon
february dawn / february moon
march moon / march moon
april moon / april moon
may moon / may moon
june moon / june moon
july moon / july moon
august moon / september moon
Pacific Storms
Anthem for Aquifers
Local Water & the Universal Sea
Request to the Berkeley City Council Concerning Strawberry Creek
Berkeley Water
The Covenant
Earth's Shadow
Sacramento Delta
Hydrology of California: An Ecopoetical Alphabet
Neap Tide
Still Points in Water
To a Desert Poet
Acknowledgments & Notes