Foundations of Musical Grammar

In recent years, music theorists have been increasingly eager to incorporate findings from the science of human cognition and linguistics into their methodology. In the culmination of a vast body of research undertaken since his influential and award-winning Conceptualizing Music (OUP 2002), Lawrence M. Zbikowski puts forward Foundations of Musical Grammar, an ambitious and broadly encompassing account on the foundations of musical grammar based on our current understanding of human cognitive capacities. Musical grammar is conceived of as a species of construction grammar, in which grammatical elements are form-function pairs. Zbikowski proposes that the basic function of music is to provide sonic analogs for dynamic processes that are important in human cultural interactions. He focuses on three such processes: those concerned with the emotions, the spontaneous gestures that accompany speech, and the patterned movement of dance. Throughout the book, Zbikowski connects cognitive research with music theory for an interdisciplinary audience, presenting detailed musical analyses and summaries of the basic elements of musical grammar.

Auteur

Lawrence M. Zbikowski is Professor of Music at the University of Chicago, where he has taught since 1993. His research focuses on the application of research in cognitive science to the theory and analysis of music. He is the author of Conceptualizing Music: Cognitive Structure, Theory, and Analysis (2002). In 2010-11 he held a fellowship from the American Council of Learned Societies and was also Fulbright Visiting Research Chair at McGill University.

Contenu

Table of Contents Origins: Music and Language in Human Cultures Foundations of Musical Grammar Musical Grammar and Music Theory Music and Analogy: Analogy Perceptual Symbol Systems, Embodied Knowledge, and Analogy Sonic Analogs and Systems of Reference Sonic Analogs for Dynamic Processes Analogy and Imagination Conclusion Music and Emotion: Recent Research on Emotion Recent Research on Music and Emotion Music, Emotions, and Sonic Analogs Conclusion Music and Gesture: Gesture and Language The Infrastructure of Human Communication Music and Movement Music and Gesture Conclusion Music and Dance: Music and Dance in the Ancien Régime Of Waltzes and Waltz Music Conclusion: Music, Social Dance, and Musical Grammar Music and Words: "Über allen Gipfeln ist Ruh" Music, Words, and Song Conclusion Questions, Answers, Questions: Sonic Analogs for Dynamic Processes The Elements of Musical Grammar Prospects for a Cognitive Grammar of Music Works Cited Index of Names Index of Subjects