A Companion to Modern and Contemporary Latin American and Latina/o Art

In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present

A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements.

By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book's areas of focus include:

• The development of avant-garde art in the urban centers of Latin America from 1910-1945

• The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959

• The influence of the political upheavals of the 1960s on art and art theory in Latin America

• The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s

• The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010

With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.

Auteur

Alejandro Anreus, PhD, is Professor of Art History and Latin American Latina/o Studies at William Paterson University, New Jersey, USA. Robin Adèle Greeley, PhD, is Associate Professor of Art History at the University of Connecticut, Connecticut, USA. Megan A. Sullivan, PhD, is Assistant Professor of Art History at the University of Chicago, Illinois, USA.

Texte du rabat
WILEY BLACKWELL COMPANIONS TO ART HISTORY A Companion to Modern and Contemporary Latin American and Latina/o Art In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latina/o Art consists of over 35 essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. With a uniquely comprehensive approach that includes both the Spanish speaking Caribbean and contemporary Latina/o art in the United States, the Companion examines the most influential critics of the twentieth century as well as their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latina/o art. Readers will engage with the latest scholarship on each of five distinct historical periods as well as broader theoretical and historical trends that continue to influence how we understand Latina/o, Indigenous, and Latin American art today. Areas of focus include:

• The development of avant-garde art in the urban centers of Latin America from 19101945
• The rise of abstraction during the Cold War and the internationalization of Latin American art from 19451959
• The influence of the political upheavals of the 1960s on art and art theory in Latin America
• The rise of conceptual art as a response to dictatorships and social violence in the 1970s and 1980s
• The contemporary era of neoliberalism and globalization in Latin American and Latina/o Art, 19902010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latina/o Art is an excellent resource for advanced students in Latin American culture and art as well as aspiring scholars in the field.

Contenu
List of Illustrations

About the Editor

Notes on Contributors

Series Editor's Preface

Introduction: Latin American and Latino Art
Alejandro Anreus, Robin Greeley, Megan Sullivan

Section I 1910-1945: Cosmopolitanisms and Nationalisms

This section focuses on the origins and development of avant-garde art movements based in the major urban centers of Latin America. It addresses the rising tensions between social and aesthetic agendas (especially around issues of race and class), redefinitions of national identities, and the confrontation between cosmopolitanism and nationalism. This set of essays explores various movements and critical voices in relation to relevant aspects of the international avant-garde and key moments of social and political history.

Chapter 1 Art After the Mexican Revolution: Muralism, Prints, Photography
Leonard Folgarait

Chapter 2 The Reinvention of the 'Semana de Arte Moderna'
Francisco Alambert

Chapter 3 José Carlos Mariátegui and the Eternal Dawn of Revolution
Martín Oyata

Chapter 4 National Values: The Havana Vanguard in the Revista de Avance and the Lyceum Gallery
Ingrid W. Elliott

Chapter 5 Photography, Avant-Garde, and Modernity
Esther Gabara

Section II 1945-1959: The Cold War and Internationalism

This group of essays addresses the rise of abstraction and consolidation of internationalist formalism, the polemics between the proponents of social realism and indigenismo as authentic art forms versus the subsequent development of alternative movements such as geometric, concrete and gestural abstraction. This section examines these movements within the social and political context of the Cold War and the rise of modernization theory and state-led developmentalism across Latin America. It also highlights the importance of the rise of institutions, museums, and events, such as the São Paulo Biennial, in the growing internationalization of Latin American art.

Chapter 6 Wifredo Lam, Aimé Césaire, Eugenio Granell, André Breton: Agents of Surrealism in the Caribbean
Lowery Stokes Sims

Chapter 7 The Oscillation between myth and critique: Octavio Paz between Duchamp and Tamayo
Cuauhtémoc Medina

Chapter 8 Latin American Abstraction (19341969)
Juan Ledezma

Chapter 9 Architectural Modernism and Its Discontents: Brazil and Beyond
Fabiola López-Durán

Chapter 10 The Realism-Abstraction Debate in Latin America: Four Questions
Megan Sullivan

Chapter 11 São Paulo, and other Models: The Biennial in Latin America, 19511991
Isobel Whitelegg

Section III 1959-1973: Revolution, Resistance, and the Politicization of Art

This section explores the upheavals in art and politics in the decade of the 1960s. Significant changes in the visual arts (the dematerialization of the art object, the rise of happenings, and the politicization of art) are read against the political and social turmoil of the Cuban Revolution, the 1968 student protests, and polarization of the political spectrum across Latin America. Several key theorists of this intense period of artistic and political development (Marta Traba, José Gómez Sicre, and Oscar Masotta) are particularly highlighted.

Chapter 12 Art and the Cuban Revolution
Alejandro Anreus

Chapter 13 The Myths of Hélio Oiticica
Irene V. Small

Chapter 14 Between Chaos and the Furnaces: Argentine Conceptualism
Daniel Quiles

Chapter 15 Chicana/o Art: 1965 1975
Terezita Romo

Chapter 16 Cold War Intellectual Networks: Marta Traba in…