Profit and Loss

Informationen zum Autor Leontia Flynn was born in County Down in 1974. Her first book These Days (2004) won the Forward Prize for Best First Collection, was shortlisted for the Whitbread Poetry Prize, and saw her named one of twenty 'Next Generation' poets by the Poetry Book Society. Her second collection, Drives , won the 2008Rooney Prize for Irish Literature and a major Individual Artist Award from the Arts Council of Northern Ireland. Her third collection, Profit and Loss , was shortlisted for the T. S. Eliot Prize. She was awarded the Lawrence O'Shaughnessy Award for Poetry in 2013 and the AWB Vincent American Ireland Fund Literary Award for 2014. Klappentext Leontia Flynn was born in County Down in 1974. Her first book These Days (2004) won the Forward Prize for Best First Collection, was shortlisted for the Whitbread Poetry Prize, and saw her named one of twenty Next Generation poets by the Poetry Book Society. Her second collection, Drives , won the 2008Rooney Prize for Irish Literature and a major Individual Artist Award from the Arts Council of Northern Ireland. Her third collection, Profit and Loss , was shortlisted for the T. S. Eliot Prize. She was awarded the Lawrence O Shaughnessy Award for Poetry in 2013 and the AWB Vincent American Ireland Fund Literary Award for 2014. Zusammenfassung Celebrated as an unusually original poet - nervy, refreshing, deceptively simple - Leontia Flynn has quickly developed into a writer of assured technical complexity and a startling acuity of perception. In her third collection, Flynn examines and dismantles a fugitive life. The first sequence moves through a series of rooms, reflecting on aspects of the author's personal and family history. Using the idea of the haunted house or the house with a sealed-off room, and Gothic tropes of madness, doubles, revenants and religious brooding, the poems consider ideas of inheritance and legacy. The second section comprises a magnificent long poem written in the months leading up to the banking crisis and presidential election of October 2008. Taking as its occasion a flat-clearing, it assumes a more public voice (inspired partly by Auden's 'Letter to Lord Byron'), and reflects on aspects of the rapid social and technological change of the last decade. An extraordinarily moving reflection on mutability and mortality prompted by the spring-cleaning of a life's detritus, 'Letter to Friends' evolves from a private reliquary to a public obsequy. Its collapse back into private griefs, including the poet's father's decline into Alzheimer's disease, is pursued in the third section of the book. Here the theme of a tallying of private and public balance sheets, of different kinds of profit and loss, widens to include poems of motherhood and marriage, the possibilities of hope and repair. ...

Préface
The third collection from the prize-winning Irish poet.

Auteur
Leontia Flynn has published four poetry collections. Her first book, These Days, won the Forward Prize for best first collection, and her most recent, The Radio (2017), won the Irish Times Poetry Now Award. Her other awards include an Eric Gregory Award, the Rooney Prize for Irish Literature, the Lawrence O'Shaughnessy Prize for Irish Literature, and the AWB Vincent Literary Award, and she has twice been shortlisted for the T.S. Eliot Prize. She is Reader in Poetry at Queen's University Belfast and was made a fellow of the Royal Society of Literature in 2022.

Texte du rabat

Leontia Flynn was born in County Down in 1974. Her first book These Days (2004) won the Forward Prize for Best First Collection, was shortlisted for the Whitbread Poetry Prize, and saw her named one of twenty Next Generation poets by the Poetry Book Society. Her second collection, Drives,*won the 2008Rooney Prize for Irish Literature and a major Individual Artist Award from the Arts Council of Northern Ireland. Her third collection, *Profit and Loss, was shortlisted for the T. S. Eliot Prize. She was awarded the Lawrence O Shaughnessy Award for Poetry in 2013 and the AWB Vincent American Ireland Fund Literary Award for 2014.

Résumé
Here the theme of a tallying of private and public balance sheets, of different kinds of profit and loss, widens to include poems of motherhood and marriage, the possibilities of hope and repair.