The Stars Are Legion

"The Stars Are Legion is poised to be Kameron Hurley's mainstream breakthrough, but apparently no one told her. It's unlike any space opera you’ve ever read—a bizarro blend of New Weird adventure, political thriller, and body horror; and an intimate examination of two deeply damaged women. It’s as visceral and violently angry as anything she's ever written, a ragged scream from the heart of a broken world—but one not past mending, if there are people brave enough to build a better one."

Auteur

Kameron Hurley

Texte du rabat

"Set within a system of decaying world-ships travelling through deep space ... follows a pair of sisters who must wrest control of their war-torn legion of worldships --and may have to destroy everything they know in order to survive"--

Résumé
“[A] thought-provoking space opera.” —Kirkus Reviews
“One of the most unusual and powerfully disturbing space operas we’re likely to see this year.” —Chicago Tribune

Set within a system of decaying world-ships travelling through deep space, this breakout novel of epic science fiction follows a pair of sisters who must wrest control of their war-torn legion of worlds—and may have to destroy everything they know in order to survive.

Somewhere on the outer rim of the universe, a mass of decaying world-ships known as the Legion is traveling in the seams between the stars. Here in the darkness, a war for control of the Legion has been waged for generations, with no clear resolution.

Zan wakes with no memory, prisoner of a people who say there are her family. She is told she is their salvation, the only person capable of boarding the Mokshi, a world-ship with the power to leave the Legion. But Zan’s new family is not the only one desperate to gain control of the prized ship. Zan finds that she must choose sides in a genocidal campaign that will take her from the edges of the Legion’s gravity well to the very belly of the world.

In the tradition of Iain M. Banks’s Culture novels and Roger Zelazny’s Chronicles of Amber, Kameron Hurley has created an epic and thrilling tale about tragic love, revenge, and war as imagined by one of our most celebrated new writers.

Échantillon de lecture
The Stars Are Legion
“THERE IS NOTHING I FEAR MORE THAN SOMEONE WITHOUT MEMORY. A PERSON WITHOUT MEMORY IS FREE TO DO ANYTHING SHE LIKES.”

—LORD MOKSHI, ANNALS OF THE LEGION

1

ZAN

I remember throwing away a child.

That’s the only memory I know for certain is mine. The rest is a gory blackness. All I have, then, are the things I’ve been told are true:

My name is Zan.

I once commanded a great army.

My mission was to destroy a world that does not exist.

I’m told my army was scattered, or eaten, or blown apart into a thousand twinkling bits of debris, and I went missing.

I don’t know why I’d ever want to lead an army—especially a losing one—but I’m told I spent my life pushing hard to get to the rank and skill I attained. And when I came back, spit out by the world or wrenched free of my own will, I came back wrong. What wrong means I don’t know yet, only that it’s also resulted in my lack of memory.

The first face I see when I wake each period in my sickbed is full-lipped and luminous, like looking into the face of some life-giving sun. The woman says her name is Jayd, and it is she who has told me all I know to be true. When I ask, now, why there is a dead body on the floor behind her, she only smiles and says, “There are many bodies on the world,” and I realize the words for world and ship are nearly identical. I don’t know which she used.

I drift.

When I wake next, the body is gone, and Jayd is bustling around me. She helps me sit up for the first time. I marvel at the dark bruises on the insides of my arms and legs. A broad scar cuts my belly in two, low near my groin, and there is something strange about my left hand; it’s clearly smaller than the right. When I try to make a fist, it closes only halfway, like a tortured claw. When I slide to the floor, I discover that the bottoms of my feet are mostly numb. Jayd does not give me time to examine them as she pulls a porous, draping robe over my shoulders. It’s the same cut and heft as hers, only dark green to her blue.

“It’s time for your first debriefing,” Jayd says as I try to make sense of my injuries. She takes my hand and leads me from the room, down a dark, pulsing corridor. I squint. I see that our entwined hands are the same tawny color, but her skin is much softer than mine.

“You were gone for a half-dozen turns,” she says, and she sits me down beside her in a room off the corridor. I stare at my palms, trying to open and close my hands. If I work at it, I can get the left to close a bit more. The room, like the corridors, is a warm, glistening space with walls that throb like a beating heart. Jayd smooths the dark hair from my brow with comforting fingers, the movement as reverent and well practiced as a prayer.

“We thought you dead,” she says, “recycled.”

“Recycled into what?” I say, but the wall blooms open, the door unfurling like a flower, and an older woman beckons us inside, and Jayd ignores my question.

Jayd and I go after her and sit on a damp bench on one side of the great plain of a table. The woman sits across from us. Patterns move over the surface of the table, though whether they are writing or purely decorative or something else entirely, I don’t know. The more I look at them, the more my head throbs. I touch my temple, only to find that my fingers come away sticky with viscous lubricant or salve. I trace my finger along the ridge of a long scar that runs from the edge of my left brow to the curl of my left ear. I have still not seen my own face. I have encountered no reflective surfaces. There is indeed something very wrong here, but I don’t think it’s me.

“I’m Gavatra,” the older woman says, her voice a low rumble. Her black hair is shorn short against her dark scalp, revealing four long scars like scratch marks on the side of her head. She wears a long, durable garment of shiny blue fabric, like something excreted from the walls. It’s all held together with intricate knotted ties. She peers into my face and sighs. “Do you know who you are?”

Jayd says, “It’s the same as all the other times.”

“Other times?” I say, because how many times can one lose an army and get eaten by a ship and come back with injuries like these and live?

Jayd gazes deeply into my eyes, desperately searching my face for something. She has a broad, intense face with sunken eyes, and a bold beak of nose. I feel I should know or understand something from her look, but my memory is a hot, sticky void. I intuit nothing. I flex my hands again.

“Eight hundred and six of your sisters have tried to board the Mokshi,” Gavatra says, tapping her fingers across the surface of the table. The patterns change, and she scrutinizes them as if scrying. “You’re the only one who ever comes out, Zan. This appears to be why Lord Katazyrna keeps sending you there, despite the fact that you’ve never successfully led an army inside. Only yourself.”

“The Mokshi,” I say. “The world that doesn’t exist?”

“Yes,” Jayd says. “You remember?” Hopeful or doubtful?

I shake my head. The phrase means nothing to me. It has simply surfaced. “How many times has this happened to me?” I say. My left hand trembles, and I gaz…