Comedy on Stage and Screen

This book provides readers with a detailed and accessible introduction to the genre of comedy. It chronicles the history of comedy from the ancients to the present day, addressing key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book summarises key comic techniques (including slapstick, puns, and running gags) and the most important theoretical accounts of laughter. Moreover, current scholarly discussions revolving around awkwardness, cringe humour, and funny women are addressed in detail. Over the course of its 14 chapters, Comedy on Stage and Screen connects traditional comic tropes (like the fool or the marriage plot) to plenty of classic and up-to-date examples.

This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres.

• umfassende Geschichte der englischsprachigen Komödie in diversen Medien - erste Publikation im Feld, die neben Theater auch Film, TV, Standup-Comedy berücksichtigt - deckt neben dem Kanon auch aktuelle Forschung zu Comedy/Komödie ab, u.a. Diversität, Fremdschamhumor

Autorentext

Wieland Schwanebeck is a researcher in literary/cultural studies. His interests include impostors, twins, James Bond, and comedy.

Inhalt
Chapter 1: Introduction: "Tragedy Tomorrow - Comedy Tonight" Chapter 2: Ancient forerunners Chapter 3: Why so serious? Chapter 4: So Shakespearean, so romantic! Chapter 5: Life as a carnival Chapter 6: Raunchy Restoration Chapter 7: The comedy of manners Chapter 8: But this is absurd! Chapter 9: And now for something completely grotesque Chapter 10: The more, the merrier Chapter 11: What a farce! Chapter 12: Stop that, it's silly! Chapter 13: So funny it hurts Chapter 14: Comedy at the crossroads