Keith Haring's Line

Autorentext

Ricardo Montez is Associate Professor of Performance Studies, Schools of Public Engagement, The New School.

Klappentext

Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring's artistic practice, engaging with Haring's messy relationships to race-making and racial imaginaries.

Inhalt

List of Illustrations ix
Acknowledgments xi
Introduction. The Call of the Impossible Figure 1

1. Desire in Transit: Writing It Out in New York City 31
2. "Trade' Marks: LA II and a Queer Economy of Exchange 61
3. Theory Made Flesh?: Keeping Up with Grace Jones 83
4. Drips, Rust, and Residue: Forms of Longing 109
   Notes 135
   Bibliography 141
   Index 145