My Year of Rest and Relaxation

Zusatztext I don't think I'm ever going to get over Ottessa Moshfegh's My Year of Rest and Relaxation . Parul Sehgal, The New York Times Ottessa Moshfegh is easily the most interesting contemporary American writer on the subject of being alive when being alive feels terrible. She has a freaky and pure way of accessing existential alienation, as if her mind were tapped directly into the sap of some gnarled, secret tree. . . . Watching Moshfegh turn her withering attention to the gleaming absurdities of pre-9/11 New York City, an environment where everyone except the narrator seems beset with delusional optimism, horrifically carefree, feels like eating bright, slick candycandy that might also poison you. Jia Tolentino, The New Yorker Darkly comic and ultimately profound new novel. . . . Moshfegh's extraordinary prose soars as it captures her character's re-engagement. Vendela Vida, New York Times Book Review Because this is a novel by the superabundantly talented Moshfeghshe's an American writer of Croatian and Iranian descentwe know in advance that it will be cool, strange, aloof and disciplined. The sentences will be snipped as if the writer has an extra row of teeth. . . . Moshfegh writes with so much misanthropic aplomb, however, that she is always a deep pleasure to read. She has a sleepless eye and dispenses observations as if from a toxic eyedropper. . . . Though this novel is set nearly 20 years ago, it feels current. The thought of sleeping through this particular moment in the world's history has appeal. Dwight Garner, The New York Times Just finished My Year of Rest and Relaxation , by Ottessa Moshfegh: caustic, funny, dark addition to the lineage of unlikeable female protagonists (by Mona Awad, Sheila Heti, Anita Brookner, Jean Rhys, Emily Bronte . . . + grandmamas Lady MacBeth + Medea)" Margaret Atwood via Twitter The bravado in Moshfegh's comprehensive darkness makes her novels both very funny and weirdly exhilarating. . . . As in Eileen , Moshfegh excels here at setting up an immediately intriguing character and situation, then amplifying the freakishness to the point that some rupture feels inevitable. Her confidence never flags; hers are the novels of a writer invigoratingly immune to uncertainty and self-doubt. Slate One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed bitcheries somehow wend their way through sad and funny and strange toward something genuinely profound. Entertainment Weekly, Best Books of 2018 A strange, exhilarating triumph. . . . Moshfegh writes with a singular wit and clarity that, on its own, would be more than enough. (Her 2015 debut, Eileen , was shortlisted for the Man Booker Prize, and Rest has already been optioned for film by Australian actress Margot Robbie). But the cumulative power of her narrativeand the sharp turn she takes in its last 30 pagesbecomes nothing less than a revelation: sad, funny, astonishing, and unforgettable. Entertainment Weekly Moshfegh's tale of self-care gone off the rails is a caustically funny skewering of artistic pretension and consumption, but also a meditation on grief, privilege and social cohesion. Huffington Post The most exciting book of 2018 is about a girl sleeping for a year. . . . Ingenious, darkly comedic. . . . The novel speeds to the best last page of any book I've likely ever read. Vice This book isn't just buzzy and maniacally entertainingit's a mean-spirited, tenderhearted masterpiece. New York Post My Year of Rest and Relaxation is the most poignant, vulnerable, mature, anddare I say it?sincere work that its gifted a...

“I don't think I'm ever going to get over Ottessa Moshfegh's My Year of Rest and Relaxation.” —Parul Sehgal, The New York Times

“Ottessa Moshfegh is easily the most interesting contemporary American writer on the subject of being alive when being alive feels terrible. She has a freaky and pure way of accessing existential alienation, as if her mind were tapped directly into the sap of some gnarled, secret tree. . . . Watching Moshfegh turn her withering attention to the gleaming absurdities of pre-9/11 New York City, an environment where everyone except the narrator seems beset with delusional optimism, horrifically carefree, feels like eating bright, slick candy—candy that might also poison you.” —Jia Tolentino, The New Yorker
 
“Darkly comic and ultimately profound new novel. . . . Moshfegh’s extraordinary prose soars as it captures her character’s re-engagement.” —Vendela Vida, New York Times Book Review
 
“Because this is a novel by the superabundantly talented Moshfegh—she’s an American writer of Croatian and Iranian descent—we know in advance that it will be cool, strange, aloof and disciplined. The sentences will be snipped as if the writer has an extra row of teeth. . . . Moshfegh writes with so much misanthropic aplomb, however, that she is always a deep pleasure to read. She has a sleepless eye and dispenses observations as if from a toxic eyedropper. . . . Though this novel is set nearly 20 years ago, it feels current. The thought of sleeping through this particular moment in the world’s history has appeal.” —Dwight Garner, The New York Times

“Just finished My Year of Rest and Relaxation, by Ottessa Moshfegh: caustic, funny, dark addition to the lineage of unlikeable female protagonists (by Mona Awad, Sheila Heti, Anita Brookner, Jean Rhys, Emily Bronte . . . + grandmamas Lady MacBeth + Medea)" —Margaret Atwood via Twitter

“The bravado in Moshfegh’s comprehensive darkness makes her novels both very funny and weirdly exhilarating. . . . As in Eileen, Moshfegh excels here at setting up an immediately intriguing character and situation, then amplifying the freakishness to the point that some rupture feels inevitable. Her confidence never flags; hers are the novels of a writer invigoratingly immune to uncertainty and self-doubt.” —Slate
 
“One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed bitcheries somehow wend their way through sad and funny and strange toward something genuinely profound.” —Entertainment Weekly, Best Books of 2018

“A strange, exhilarating triumph. . . . Moshfegh writes with a singular wit and clarity that, on its own, would be more than enough. (Her 2015 debut, Eileen, was shortlisted for the Man Booker Prize, and Rest has already been optioned for film by Australian actress Margot Robbie). But the cumulative power of her narrative—and the sharp turn she takes in its last 30 pages—becomes nothing less than a revelation: sad, funny, astonishing, and unforgettable.” —Entertainment Weekly

“Moshfegh’s tale of self-care gone off the rails is a caustically funny skewering of artistic pretension and consumption, but also a meditation on grief, privilege and social cohesion.” —Huffington Post
 
“The most exciting book of 2018 is about a girl sleeping for a year. . . . Ingenious, darkly comedic. . . . The novel speeds to the best last page of any book I’ve likely ever read.” —Vice

“This book isn’t just buzzy and maniacally entertaining—it’s a mean-spirited, tenderhearted masterpiece.” —New York Post
 
“My Year of Rest and Relaxation is the most poignant, vulnerable, mature, and—dare I say it?—sincere work that its gifted author has yet produced.” —Boston Globe

“In flat, deadpan, unembellished prose recalling the cadences of …