Police Photography

Autorentext
Larry S. Miller is Chair of the Department of Criminal Justice and Criminology at East Tennessee State University. Dr. Miller teaches courses in the area of Law Enforcement and has worked as a police officer, criminal investigator and crime laboratory director. Dr. Miller serves as a member of the board of the National Forensic Academy. Norman Marin worked for the NYC Office of the Chief Medical Examiner from 2001-2012, where he began with DNA extraction and quantification before transferring to the Special Investigation Unit, where he worked on crime reconstruction issues involving bloodstain pattern analysis, bullet trajectory, evidence examinations, forensic photography, and the identification of latent blood through chemical enhancements. A graduate of the John Jay College, Marin now teaches at Pace University at the Dyson College of Arts and Sciences, Forensic Science program, where he teaches digital photography, among other forensic disciplines.

Zusammenfassung
Quality photographs of evidence can communicate details about crime scenes that otherwise may go unnoticed, making skilled forensic photographers invaluable assets to modern police departments

Inhalt

1. The Police Photographer 2. Cameras 3. Optics and Accessory Equipment 4. Light Theory and Digital Imaging 5. Photographic Exposure 6. Flash Photography 7. Crime Scene Photography 8. Motor Vehicle Incident Scene Photography 9. Evidence Photography 10. Ultraviolet and Infrared Imaging 11. Identification and Surveillance Photography 12. The Digital Darkroom