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This carefully crafted ebook: 'The Complete Novels of Nathaniel Hawthorne (Illustrated)' is formatted for your eReader with a functional and detailed table of contents. Excerpts: 'It contributes greatly towards a man's moral and intellectual health, to be brought into habits of companionship with individuals unlike himself, who care little for his pursuits, and whose sphere and abilities he must go out of himself to appreciate.' (The Custom House, The Scarlet Letter) 'The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within.' (The House of the Seven Gables) American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing centres on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of the Romantic movement and, more specifically, Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. Content: Introduction: Biography of Nathaniel Hawthorne Novel: Fanshawe (1828) The Scarlet Letter (1850) The House of the Seven Gables (1851) The Blithedale Romance (1852) The Marble Faun (1860) The Dolliver Romance (1863) Septimius Felton (1872) Doctor Grimshawe's Secret (1882) Adaptation: A Scarlet Stigma - A Play in Four Acts (1899)
This carefully crafted ebook: "The Complete Novels of Nathaniel Hawthorne (Illustrated)" is formatted for your eReader with a functional and detailed table of contents.
Excerpts:
"It contributes greatly towards a man's moral and intellectual health, to be brought into habits of companionship with individuals unlike himself, who care little for his pursuits, and whose sphere and abilities he must go out of himself to appreciate." (The Custom House, The Scarlet Letter)
"The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within." (The House of the Seven Gables)
American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing centres on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of the Romantic movement and, more specifically, Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.
Content:
Introduction: Biography of Nathaniel Hawthorne
Novel:
Fanshawe (1828)
The Scarlet Letter (1850)
The House of the Seven Gables (1851)
The Blithedale Romance (1852)
The Marble Faun (1860)
The Dolliver Romance (1863)
Septimius Felton (1872)
Doctor Grimshawe's Secret (1882)
Adaptation:
A Scarlet Stigma - A Play in Four Acts (1899)
Autorentext
From Aardman Animations, the world's most loveable duo, Wallace & Gromit, have established themselves as national treasures.
Zusammenfassung
From helping with inventions to cleaning windows – Gromit's work is never done. Today he's so busy he's had to make a list. First he's got to fill the teapot (one), then it's time to bake some cakes (two), before buttering crackers (three) etc.... Each of these cumulative tasks will introduce a number, helping pre-schoolers learn to count from one to five.
Leseprobe
II.
Table of Contents
In one sense it was all very simple, this childhood and youth and early training of Hawthorne. We can see that the conditions were not complicated and were quite homely. But the influence of good literature had been at work upon the excellent mental substance derived from a father who was fond of reading and a mother who had the plain elementary virtues on which so much depends, and great purity of soul. The composure and finish of style which he already had at command on going to college were ripened amid the homely conditions aforesaid: there must have been an atmosphere of culture in his home, unpretentious though the mode of life there was. His sister, as I have mentioned, showed much the same tone, the same commanding ease, in her writing. There existed a dignity, a reserve, an instinctive refinement in this old-fashioned household, which moved its members to appropriate the best means of expression as by natural right. They appear to have treated the most ordinary affairs of life with a quiet stateliness, as if human existence were really a thing to be considered with respect, and with a frank interest that might occasionally even admit of enthusiasm or strong feeling with regard to an experience, although thousands of beings might have passed through it before. Our new horizons, physically enlarged by rapid travel, our omnifarious culture, our passion for obtaining a glaze of cosmopolitanism to cover the common clay from which we are all moulded, do not often yield us anything essentially better than the narrow limits of the little world in which Hawthorne grew up. He was now to go back to Salem, which he once spoke of as being apparently for him "the inevitable centre of the universe;" and the conditions there were not radically altered from what they had been before. We can form an outline of him as he was then, or at most a water-color sketch presenting the fresh hues of youth, the strong manly frame of the young graduate, his fine deep-lighted eyes, and sensitively retiring ways. But we have now to imagine the change that took place in him from the recent college Senior to the maturing man; change that gradually transforms him from the visionary outline of that earlier period to a solid reality of flesh and blood, a virile and efficient person who still, while developing, did not lose the delicate sensibility of his young prime.
His family having reëstablished themselves in Salem, at the old Herbert Street house, he settled himself with them, and stayed there until December, 1828, meanwhile publishing "Fanshawe" anonymously. They then moved to a smaller house on Dearborn Street, North Salem; but after four years they again took up their abode in the Herbert Street homestead. Hawthorne wrote industriously; first the "Seven Tales of my Native Land," which he burned, and subsequently the sketches and stories which, after appearing in current periodicals, were collected as "Twice-Told Tales." In 1830 he took a carriage trip through parts of Connecticut. "I meet with many marvellous adventures," was a part of his news on this occasion, but they were in reality adventures of a very tame description. He visited New York and New Hampshire and Nantucket, thus extending slightly his knowledge of men and places. A great deal of discursive reading was also accomplished. In 1836 he went to Boston to edit for Mr. S. G. Goodrich "The American Magazine of Useful and Entertaining Knowledge." It did not turn out to be either useful or entertaining for the editor, who was to be paid but $500 a year for his drudgery, and in fact received only a small part of that sum. Through Goodrich, he became a copious contributor to "The Token," in the pages of which his tales first came to be generally known; but he gave up the magazine after a four months' misery of editorship, and sought refuge once more in his native town.
Salem was an isolated place