Guitar Sight-Reading 2

'Guitar Sight-Reading 2' aims to build on the sight-reading skills learnt in book 1 and provides a wealth of more challenging examples so that the pupil may gain even greater confidence when approaching any new piece of music for the first time. Tunes progress to include keys from 2 flats to 4 sharps using a variety of styles.

John Kember studied at Trinity College of Music, London and has enjoyed a varied career in both performing and academic spheres, ranging from teaching in schools and privately, to working as composer, arranger, pianist and conductor in Concert Halls, theatres and recording studios. Currently John is working on a number of new and exciting projects for both publication and performance. He has a busy private teaching practice in south east London and teaches for Kent Music School and the Kent Centre for Young Instrumentalists in Maidstone. John was an examiner for the Associated Board of the Royal Schools of Music from 1989 until 2005

Autorentext
John Kember studied at Trinity College of Music, London and has enjoyed a varied career in both performing and academic spheres, ranging from teaching in schools and privately, to working as composer, arranger, pianist and conductor in Concert Halls, theatres and recording studios. Currently John is working on a number of new and exciting projects for both publication and performance. He has a busy private teaching practice in south east London and teaches for Kent Music School and the Kent Centre for Young Instrumentalists in Maidstone. John was an examiner for the Associated Board of the Royal Schools of Music from 1989 until 2005

Zusammenfassung
'Guitar Sight-Reading 2' aims to build on the sight-reading skills learnt in book 1 and provides a wealth of more challenging examples so that the pupil may gain even greater confidence when approaching any new piece of music for the first time. Tunes progress to include keys from 2 flats to 4 sharps using a variety of styles.

Inhalt
Contents - Preface - Section 1: D Major, 2nd position, 6/8, slurs and dropped D position - Solos - Duets - Accompanied Pieces - Section 2: B minor and semiquavers, developing 6/8 rhythms - Solos - Duets - Accompanied Pieces - Section 3: G minor and 3rd position, syncopated rhythms and the half barre - Solos - Duets - Accompanied Pieces - Section 4: Keys of A and E major, F# and C# minor, 5/4, 3/8 and 3/2, swing rhythms - Solos - Duets - Accompanied Pieces - Section 5: modes, ornamentation in muisc, tonalities and techniques - Solos - Duets - Accompanied pieces - Glossary