Disordered Attention

The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?

Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice-
research-based installations, performance exhibitions, interventions, and invocations of modernist
architecture-and their challenges to traditional modes of attention. Charting a critical path through the last
three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of
digital technology.

Autorentext

Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.