The Spanish Account: Tales of the Alhambra & Chronicle of the Conquest of Granada (Unabridged)

This carefully crafted ebook: 'The Spanish Account: Tales of the Alhambra & Chronicle of the Conquest of Granada' is formatted for your eReader with a functional and detailed table of contents. Tales of the Alhambra is a collection of essays, verbal sketches and stories about the Moors and Spaniards. Through these stories, sketches and essays it is described the author's journey through Spain in Andalusia, where he gives a general description of the country and people. The collection consists of around 30 Tales about the Alhambra, the city castle of the last Moorish rulers in Al-Andalus. The stories are dealing, for the most part, with after-Moorish period in which the Alhambra has been managed as a possession of the Spanish kings and was left to decay. 'Tales of the Alhambra' is translated into many languages and is considered one of the most important works of the author. During Irving's stay in Spain, after the success of his previous books, he was invited to stay at the palace of the Duke of Gor, who gave him unfettered access to his library containing many medieval manuscripts. It took him just a year to complete The Chronicles of the Conquest of Granada. The book is covering the long process of banishing the Moors from Spain and Portugal. Washington Irving (1783-1859) was an American author, essayist, biographer, historian, and diplomat of the early 19th century. He is best known for his short stories 'Rip Van Winkle' and 'The Legend of Sleepy Hollow' both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington and Oliver Goldsmith, and several histories of 15th-century Spain, dealing with subjects such as the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846.

This carefully crafted ebook: "The Spanish Account: Tales of the Alhambra & Chronicle of the Conquest of Granada (Unabridged)" is formatted for your eReader with a functional and detailed table of contents.

Tales of the Alhambra is a collection of essays, verbal sketches and stories about the Moors and Spaniards. Through these stories, sketches and essays it is described the author's journey through Spain in Andalusia, where he gives a general description of the country and people. The collection consists of around 30 Tales about the Alhambra, the city castle of the last Moorish rulers in Al-Andalus. The stories are dealing, for the most part, with after-Moorish period in which the Alhambra has been managed as a possession of the Spanish kings and was left to decay. "Tales of the Alhambra" is translated into many languages and is considered one of the most important works of the author.

During Irving's stay in Spain, after the success of his previous books, he was invited to stay at the palace of the Duke of Gor, who gave him unfettered access to his library containing many medieval manuscripts. It took him just a year to complete The Chronicles of the Conquest of Granada. The book is covering the long process of banishing the Moors from Spain and Portugal.

Washington Irving (1783-1859) was an American author, essayist, biographer, historian, and diplomat of the early 19th century. He is best known for his short stories "Rip Van Winkle" and "The Legend of Sleepy Hollow" both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington and Oliver Goldsmith, and several histories of 15th-century Spain, dealing with subjects such as the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846.

Auteur
Colin Forbes is the author of twenty-nine thrillers which are now published into thirty languages. He writes a novel every year.

Résumé
Tweed - star detective turned spymaster - reluctantly agrees to make inquiries into a man called Michael Volkanian at the urging of his old friend, Superintendent Buchanan. Buchanan had found Michael on the steps in Whitehall, where he heard him utter only three words: 'I witnessed murder.' With Paula Grey, Tweed embarks on his investigation and gradually locates four skeletons. Two of them are found on Dartmoor, near the mansion of Drago Volkanian, the Armenian founder of a giant supermarket chain - and an armaments plant. Tweed interrogates Volkanian's stepdaughter, the steely and moody Lucinda, her elder brother Larry, the company managing director, and meets Michael again, the youngest sibling, who is still unable to speak. He is suffering from amnesia - or so say two psychiatrists. Unlike Buchanan, Tweed insists that the horrific murders are not random. A link must exist between the four victims. He also suspects that a foreign power is involved. With Paula, Bob Newman and his team, Tweed travels south to Marseilles, where murder is a way of life. Escaping the city alive by a hairsbreadth, they race back to Britain, to desolate Dartmoor. One eerie climax follows another. But who is the ruthless killer? And could Michael be the key to the conundrum?

Échantillon de lecture
PALACE OF THE ALHAMBRA.
Table of Contents

To the traveller imbued with a feeling for the historical and poetical, so inseparably intertwined in the annals of romantic Spain, the Alhambra is as much an object of devotion as is the Caaba to all true Moslems. How many legends and traditions, true and fabulous; how many songs and ballads, Arabian and Spanish, of love and war and chivalry, are associated with this oriental pile! It was the royal abode of the Moorish kings, where, surrounded with the splendors and refinements of Asiatic luxury, they held dominion over what they vaunted as a terrestrial paradise, and made their last stand for empire in Spain. The royal palace forms but a part of a fortress, the walls of which, studded with towers, stretch irregularly round the whole crest of a hill, a spur of the Sierra Nevada or Snowy Mountains, and overlook the city; externally it is a rude congregation of towers and battlements, with no regularity of plan nor grace of architecture, and giving little promise of the grace and beauty which prevail within.

In the time of the Moors the fortress was capable of containing within its outward precincts an army of forty thousand men, and served occasionally as a stronghold of the sovereigns against their rebellious subjects. After the kingdom had passed into the hands of the Christians, the Alhambra continued to be a royal demesne, and was occasionally inhabited by the Castilian monarchs. The emperor Charles V commenced a sumptuous palace within its walls, but was deterred from completing it by repeated shocks of earthquakes. The last royal residents were Philip V and his beautiful queen, Elizabetta of Parma, early in the eighteenth century. Great preparations were made for their reception. The palace and gardens were placed in a state of repair, and a new suite of apartments erected, and decorated by artists brought from Italy. The sojourn of the sovereigns was transient, and after their departure the palace once more became desolate. Still the place was maintained with some military state. The governor held it immediately from the crown, its jurisdiction extended down into the suburbs of the city, and was independent of the captain-general of Granada. A considerable garrison was kept up, the governor had his apartments in the front of the old Moorish palace, and never descended into Granada without some military parade. The fortress, in fact, was a little town of itself, having several streets of houses within its walls, together with a Franciscan convent and a parochial church.

The desertion of the court, however, was a fatal blow to the Alhambra. Its beautiful halls became desolate, and some of them fell to ruin; the gardens were destroyed, and the fountains ceased to play. By degrees the dwellings became filled with a lo…