Voicing Girlhood in Popular Music

This book explores the girl's voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers. It illuminates the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band; girls' media culture; the changing anatomy of a girl's voice throughout adolescence; and girl's voices on youtube, at rock camps, on Disney Channel, and in audiobooks and film, uniting a range of scholarly perspectives to investigate girls' voices and girlhood in popular music.

Auteur

Jacqueline Warwick is Associate Professor of Music at Dalhousie University, Canada.

Allison Adrian is Associate Professor of Music and Women's Studies at St. Catherine University, Minnesota, where she also serves as Endowed Chair in Women's Education.

Résumé
Now in its eighth edition, this classic text is a first point of reference for anyone looking to obtain an understanding of chartering and shipbroking practice. It provides hands-on, commercially-focused explanations of chartering business and invaluable advice on how the shipping market operates across a broad range of topics. The authors also deal expertly with the legal, financial, operational and managerial aspects of chartering, offering numerous case studies which clearly link theory to practice. This new edition has been fully revised and updated to reflect the current trends in chartering practice, legal developments and standard forms of charterparties. New to this edition:Enriched with practical examples coveringa crucial aspects of chartering and shipbroking business, such as voyage estimations, freight conversions and tanker calculations. New material on day-to-day laytime principles, including &quote;Laytime Definitions for Charterparties 2013&quote;, associated commentary and relevant examples. Shipping Marketing as a modern tool of improving chartering and shipbroking business. Expanded coverage of the economic background of chartering, including markets, vessels, cargoes, trades and fixtures.Freight rates for all vessel types from 1980 to 2015. Updated review of well-known standard charterparty documents (including NYPE 2015), together with clauses and wordings commonly applying to various charter types. Analytical glossary containing typical terms and abbreviations used in chartering negotiations.This book is an essential guide for practitioners in private practice and in-house for shipowners and cargo houses, as well as those studying shipbroking and chartering.

Contenu

PART I
Voice and Agency

1 I'm with the Band: Redefining Young Feminism 15 LUCY O'BRIEN

2 Girls at Work: Gendered Identities, Sex Segregation,
and Employment Experiences in the Music Industry 37 MARION LEONARD

3 "I Love Beyoncé, but I Struggle with Beyoncé": Girl Activists
Talk Music and Feminism 56 LYN MIKEL BROWN AND DANA EDELL WITH MONTGOMERY JONES, GEORGIA LUCKHURST, AND JONEKA PERCENTIE

PART II
Voice and Vocality

4 "These Stupid Little Sounds in Her Voice": Valuing and
Vilifying the New Girl Voice 77 DIANE PECKNOLD

5 Girls and Puberty: The Voice, It Is a-Changin';
A Discussion of Pedagogical Methods for the
Training of the Voice through Puberty 99 BARBARA FOX DEMAIO

*6 The Curse of the "O mio *bambino caro": Jackie Evancho as Prodigy, Diva, and Ideal Girl 113 DANA GORZELANY-MOSTAK *

7 Authority, Ability, and the Aging Ingénue's Voice 143 ALEXANDRA APOLLONI*

PART III
Voice and Authenticity

8 Performing Pop Girlhood on Disney Channel 171 MORGAN BLUE

9 When Loud Means Real: Tween Girls and the Voices of Rock Authenticity 191 SARAH DOUGHER

10 YouTube, Twerking and You: Context Collapse and
the Handheld Copresence of Black Girls and Miley Cyrus 208 KYRA D. GAUNT

PART IV
Voice and Narrative

11 The Counterpoint of Aging and Coming of Age in the Mother-Daughter Duets of Tori Amos and Natashya Hawley 235 LORI BURNS

12 Listen to the Mockingjay: Voice, Identity, and Agency in
The Hunger Games Trilogy 258 ROBYNN STILWELL

Afterword: "The Art of Yearning" 281 GAYLE WALD