Travel Writing, Visual Culture, and Form, 1760-1900

This collection reveals the variety of literary forms and visual media through which travel records were conveyed in the long nineteenth century, bringing together a group of leading researchers from a range of disciplines to explore the relationship between travel writing, visual representation and formal innovation.

Auteur
Brian H. Murray, University of Cambridge, UK. Mary Henes, independent scholar, UK. Clare Pettitt, King's College London, UK. Renate Dohmen, Open University, UK. Victoria Mills, University of Cambridge, UK. Simon Goldhill, University of Cambridge, UK. A.V. Seaton, University of Limerick, Ireland Alison Chapman, University of Victoria, Canada Michael Ledger-Lomas, King's College London, UK. Nicholas Warner, Claremont McKenna College, USA. Peter Garratt, Durham University, USA.

Contenu

List of figures Acknowledgements Notes on Contributors 1. Introduction: Forms of Travel, Modes of Transport; Brian H. Murray PART I: MATERIAL COLLECTIONS, VISUAL INTERVENTIONS 2. Topos, Taxonomy, and Travel in Nineteenth-Century Women's Scrapbooks; Clare Pettitt 3. Material (Re)collections of the 'Shiny East': A Late Nineteenth-Century Travel Account by a British Woman in India; Renate Dohmen 4. Photography, Travel Writing and Tactile Tourism: Tauchnitz, Extra-illustration, and The Marble Faun; Victoria Mills 5. Photography and the Real: The Biblical Gaze and the Professional Album in the Holy Land; Simon Goldhill PART II: LOCATING LITERARY FORM 6. Getting Socially on the Road: The Short, Happy Life of the Anapaestic Tourism Narrative, 1766-1830; A.V. Seaton 7. The Aura of Place: Poetic Form and the Protestant Cemetery in Rome; Alison Chapman 8. In the Steps of Saint Paul; Michael Ledger-Lomas 9. From Transport to Transgression: Alexander Pushkin's Literary Journeys; Nicholas Warner 10. Sublime Transport: Ruskin, Travel, and the Art of Speed; Peter Garratt Notes Bibliography Index