In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of meaning in Alaol's poetry is a crucial contribution of the book, both in terms of general conceptual analysis and for its significance in the history of Bengali poetry. This book shows how multilingual literacy fostered a variety of literary experiments in the remote kingdom of Arakan, which lay between present-day southeastern Bangladesh and Myanmar, in the mid-17th century. D'Hubert also presents a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the major poetic styles in the regional courts of eastern South Asia. In the Shade of the Golden Palace therefore fulfills three functions: it is a unique guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.

Auteur

Thibaut d'Hubert is an assistant professor of South Asian Languages and Civilizations at the University of Chicago.

Résumé
In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of meaning in Alaol's poetry is a crucial contribution of the book, both in terms of general conceptual analysis and for its significance in the history of Bengali poetry. This book shows how multilingual literacy fostered a variety of literary experiments in the remote kingdom of Arakan, which lay between present-day southeastern Bangladesh and Myanmar, in the mid-17th century. D'Hubert also presents a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the major poetic styles in the regional courts of eastern South Asia. In the Shade of the Golden Palace therefore fulfills three functions: it is a unique guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.

Contenu

Acknowledgements Map of Arakan and eastern South Asia in the seventeenth century Introduction: Poetics in the margins Chapter 1: The formation of Bengali literature in Arakan (ca. 1430-1638) Chapter 2: Literary urbanity in Mrauk U Chapter 3: New beginnings: Alaol's early career in Mrauk U Chapter 4 Alaol's poetry and Mrauk U's political turmoil Chapter 5: Alaol's poetics: when locality rhymes with originality Chapter 6: Indo-Afghan historical imaginaries and the romance genre Chapter 7: Lyric poetry and desi aesthetics in eastern South Asia Conclusion: Middle Bengali poetics and the multilingual literary history of Bengal Bibliography Appendix 1: Summaries of Alaol's Padmavati and the story of the goldsmith's wife a. Summary of Alaol's Padmavati b. The story of the goldsmith's wife in Sayphulmuluk Badiujjamal Appendix 2: Analytical tables of Alaol's songs Appendix 3: Original texts of the Middle Bengali and Old Maithili songs Appendix 4: A Persian appraisal of Alaol's life and works Index