Black Iconography and Colonial (re)production at the ICC

This book explores the reproduction of colonialism at the International Criminal Court (ICC), and examines International criminal law (ICL) vs the Black body through an immersive format of Art, Music, Poetry, and Architecture and post-colonial/critical race theory lens.

Auteur

Stanley Mwangi Wanjiru is a London based lawyer and theorist. He holds a PhD in International criminal law from Sussex University, LLM(Distinction), LLB (Hons) and BA(Hons). Mwangi was called to the Bar (England and Wales) by the Inner Temple in 2004 after his Vocational Course (BVC) at the College of Law, London. Mwangi focuses on the interaction between the law and the black citizen. His research areas are in decolonising theories, critical legal theories, constitutionalism, public international law international economic law, and international criminal law. He currently teaches Law at University of Kent and is a visiting lecturer in constitutional, administrative, and human rights law at the City University London. Previously and parallel to his work in the law, Mwangi has worked in community projects and safeguarding both internationally and in the UK.