The Transformation of Black Music

Powerful and embracive, The Transformation of Black Music explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, The Transformation of Black Music is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music. The Transformation of Black Music will solidify not only the inestimable value of black musics, but also the importance and relevance of black music research to all musical endeavors.

Auteur

Samuel A. Floyd Jr. is Founder and Director Emeritus of the Center for Black Music Research, which he established in 1983 at Columbia College Chicago. During his tenure at the CBMR, he authored/edited five books, launched two periodical series-including the Black Music Research Journal, and published numerous articles. He has received a Lifetime Achievement Award from the Society for American Music and has been named an Honorary Member of the American Musicological Society. Melanie Zeck is Managing Editor of the Black Music Research Journal, the peer-reviewed journal of the Center for Black Music Research (CBMR). Trained as a music librarian and historian, she joined the CBMR in 2005 to provide fact-finding and fact-checking services for the Center's staff and constituents. In this capacity, she has collaborated with and provided extensive informational support for researchers worldwide on a broad range of topics in black music research and history. Guthrie P. Ramsey, Jr. is the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He is the author of Race Music: Black Cultures from Bebop to Hip-Hop and The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop.

Contenu

TABLE OF CONTENTS Introduction PART I: Black Music and the African Diaspora Chapter One: Out of Africa: Setting Sail from the Motherland Chapter Two: Making of the African Diaspora: Ships on the Oceans Chapter Three: The Diaspora's Concert Worlds: Europe and the Americas Chapter Four: Isles of Rhythm: The Cinquillo/Tresillo Complex in the Circum-Caribbean Chapter Five: Ties that Bind: Myth and Ritual in the Circum-Caribbean and Beyond PART II: Case Studies Chapter Six: Pip's Tambourine: Stuckey's Revelations of Hidden Sources in Melville's Moby Dick Chapter Seven: "Git on Board, Lil' Chillun": Children and Music in the Diaspora (Melanie Zeck) Chapter Eight: The Movement: Black Identities and the Paths Forward Chapter Nine: Afro-modernism and Music: On Science, Community, and Magic in the Black Avant-Garde (Guthrie Ramsey Jr.) Chapter Ten: Africa and the Trope of the Return Epilogue Appendix A Excerpt from "Ring Shout" Appendix B Index to Performers and Composers of Art/Classical Music in The Transformation Appendix C Figures and Institutions from the "First Black Renaissance" Bibliography Index