This is the true story of Anna Delvey, the fake heiress whose dizzying deceit and elaborate con-artistry deceived the Soho hipster scene before her ruse was finally and dramatically exposed.

After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday ... and Anna footed almost every bill.

But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed.

This is the incredible story of how Anna Sorokin conned the high-rollers of the NYC social scene and convinced her close friend of an entirely concocted fantasy, the product of falsified bank documents, bad cheques and carefully edited online photos.

Written by Rachel DeLoache Williams, the Vanity Fair photography editor who believed Anna's lies before helping the police to track her down (fittingly, deciphering Anna's location using Instagram), this is Catch Me If You Can with Instagram filters. Between Anna, Fyre Festival's Billy McFarland (Anna even tried to scam Billy) and Elizabeth Holmes, whose start-up app duped the high and mighty of Silicon Valley, this is the year of the scammer.

Anna stood a high-profile trial in New York that has been followed voraciously by the media. She was found guilty of theft of services and grand larceny, facing up to 15 years in prison. The trial ended on 25th April.

Auteur

Rachel DeLoache Williams

Résumé
'I have always been ridiculous, and I have known it, perhaps from the hour I was born'A man goes mad because he is happy.A civil servant behaves like a monster at a wedding-party.A man is swallowed by a crocodile, but not eaten nor seriously damaged.Dostoevsky's stories inhabit similarly volcanic atmospheres as his novels, places of curiosity and exception. They resemble jokes and anecdotes, told by volatile, voluble, morbidly sensitive and frustrated characters. These narrators all have a tendency to express themselves in crescendos of conflicting emotions, while the stories themselves steer clear of grand conclusions. Michael Wood's selection of Dostoevsky's shorter works is drawn from the timeless translations of Constance Garnett whose work, he says in his preface, gives readers the best of several worlds.