You'll Never Be Anyone Else

Rachael Clyne's You'll Never Be Anyone Else presents a direct and assured voice, demanding that we think carefully about what it takes to reconcile being different. She advises the reader to 'Stop drinking the poison / labelled "Hate me." / It's that simple. I didn't say easy.' Clyne also has an alter-ego "Girl Golem" reminiscent of a superhero but based on the mythical man made from clay and spells to protect Jewish people from persecution. Through this empowering persona, Clyne opens up an exploration of Jewish and lesbian identity. Surveying attitudes in the present day and in the past, these poems explore migrant heritage, sexual identity, domestic violence and ageing.
The stories of this collection are often poignant, like the retired tailor in 'Mr Shopping Trolley', who takes to shearing newspapers, so that his scissor fingers remain busy. Or in 'Leaving Odesa', the speaker revisits the prison where - under Tsarist law - her grandmother (even as an infant) had to serve out the remainder of her father's sentence after he died.Clyne's imagery is razor sharp in its precision, as she deftly weaves different poetic forms and wildly versatile subject matter, even interspersing Yiddish phrases, as part of her own unique poetic idiolect. Take the hilarious poem, 'Jew-a-lingo (Code-switching for Jews 1970 edition)' which emphasizes Jewish humour as a staple survival strategy. You'll Never Be Anyone Else offers a unique story of survival and empowerment told in spite of experiences of violence and prejudice - this from a poet who has spent a lifetime learning self-acceptance and as a psychotherapist helping others to do similar. Treating even dark subjects with playful wit and colourful imagery, Clyne is a distinctive new voice with a powerful message about self-acceptance.
"Rich, cinematic and sensuous." - Joelle Taylor
'With its impressive scope, ranging from the Holocaust, nuclear fallout, and immigration to domestic life and childhood, Rachael Clyne's Girl Golem thoughtfully explores our tactics for survival: in resistance, in the imagination, in mutual care. In these evocative, spirited poems, Clyne implicitly argues for faith in our own humanity and for the richness of difference.' - Carrie Etter
'Rachael Clyne's poetry, full of physicality and dramatic openness, accumulates a series of tensions within her Sixties free spirited identity and Jewish heritage. Attentive to narrative angle and migrant experience, she allows characters to emerge over generations showing how they mould into a new cultural identity. In its quiet and carefully crafted ways, Girl Golem shows the sweep of history and the importance of a tolerant county that offers salvation to those persecuted abroad.' - David Caddy
'Clyne's poems inhabit a shadowy and uncomfortable space where all is not as it seems - people become pieces of furniture and rooms have sinister personalities. A complex work of many layers - these thought provoking and deftly crafted poems are a playful and powerful examination of identity, sexuality, heritage and family dynamic. Clyne skilfully conveys a sense of disquiet and alienation, a sense of being other, both within the dysfunctions of the family, but also within the context of the wider world.' - Julia Webb
Rachael Clyne is a psychotherapist from Glastonbury. Her prizewinning collection Singing at the Bone Tree (Indigo Dreams) concerns human beings' relationship with nature, and she is a climate activist. Her pamphlet Girl Golem (4word) concerns her migrant background and sense of otherness. A frequent reader at poetry events and festivals, she has been published in magazines like Shearsman, The Rialto, and The Interpreter's House.

Auteur

Rachael Clyne is a psychotherapist from Glastonbury. Her prizewinning collection Singing at the Bone Tree (Indigo Dreams) concerns human beings' relationship with nature, and she is a climate activist. Her pamphlet Girl Golem (4word) concerns her migrant background and sense of otherness. A frequent reader at poetry events and festivals, she has been published in magazines like Shearsman, The Rialto, and The Interpreter's House.