American Playwriting and the Anti-Political Prejudice

Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.

Auteur
Nelson Pressley recently received his PhD from the University of Maryland.

Résumé
Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.

Contenu
Introduction. No Politics, Please, We're American 1. "Politics" 2. The Case of Kushner 3. Reception and the Anti-Political Prejudice in America 4. State of the Nation: UK and US 5. American Shenanigans 6. Wendy Wasserstein's Washington 7. Erasing the Playwright Conclusion