The Alcaic Metre in the English Imagination

This book reveals how a remarkable ancient Greek and Latin poetic form -- the alcaic metre -- found its way into English poetry, and continues shaping the imagination of poets today. English poets have always admired the extraordinary beauty and intricacy of the alcaic stanza (Tennyson called it 'the grandest of all measures') and their inventive responses to the ancient alcaic have generated remarkable innovations in the rhythms, sounds and shapes of modern poetry. This is the first book-length study of this neglected strand of English literary history and classical reception.

Attending closely to the rhythm and texture of their verses, John Talbot reveals surprising connections between English poets across five centuries, among them Mary Shelley, Milton, Marvell, Tennyson, Edward FitzGerald, Wilfred Owen, W. H. Auden and Donald Hall. He gives special attention to a flourishing of English alcaics during the late twentieth and twenty-first centuries, and what it suggests about the changing place of classics and poetic form in contemporary culture.

Auteur

John Talbot is Associate Professor of English Literature at Brigham Young University, USA. He publishes widely on classical and English literary relations, poetic form and literary translation. He is the author of The Well-Tempered Tantrum (2004), Rough Translation (2012) and contributed to the multi-volume Oxford History of Classical Reception in English Literature. With Victoria Moul, he is co-editor of C. H. Sisson Reconsidered.

Contenu

Acknowledgements
Preface

1 Coming Late to Latin: Wilfred Owen, John Hollander
2 'A Marvel of Metrical Disruptions': The Alcaic Strophe Itself
3 'Blossom Again on a Colder Isle': Mary Sidney, Alfred Tennyson
4 'The Same, But Not the Same': Tennyson's In Memoriam Stanza
5 'The Ear Grows Dissatisfied': Robert Bridges, W. H. Auden

Afterword: From Inheritance to Quarry: The Alcaic in Postmodernity

Notes
Index
Bibliography