Imagined, Embodied and Actual Turks in Early Modern Europe

The book series Ottomania researches the cultural transfers between the Ottoman Empire and Europe with a focus on the performing arts The confrontation between European countries and the expanding Ottoman Empire in the early modern era has played a major role in numerous fields of history. The aim of this book is to investigate the European-Ottoman interrelations from three angles. One deals with the circumstances: how did the Europeans meet the Turks in pragmatic and diplomatic connections? Another concerns imagery: how were the Turks depicted in literature and art? The third examines performativity: how were the Turks inserted into plays, operas and ceremonies? This book confronts mental, visual and embodied images with historical positions and conditions. The focus, therefore, is on the dynamic interactive processes of experience, embodiment and imagination in context. Bringing together Turkish and European scholars, it applies a number of research strategies used by historians to the history of art, literature, music and theatre.

Auteur
Bent Holm, born in 1946. MA, Phil.Doc. Associate Professor, Theatre Studies, Institute for Arts and Cultural Studies, University of Copenhagen. Research travels to Italy, France, and India. Dramaturg and translator of plays, especially by Dario Fo, De Filippo, and Goldoni. Doctoral dissertation about Comédie Italienne in a broad cultural/religious/iconographic context. Has published interdisciplinary studies on historical and dramaturgical issues in English, French, Polish, and Italian. Is for the moment preparing the English version of his book about eighteenth-century playwright Ludvig Holberg in a dramaturgical-historical perspective. Special research focuses are on relationships between visual arts and theatre; drama analysis and creative theatre production; theatricality and rituality. Lecturer at several international universities and research centres, most recently in Torino, Paris, Frankfurt, and Stockholm. Member of scientific committees and networks in Paris, Mantova, and Torino, among other cities. Publications include: "The Taming of the Turk: Ottomans on the Danish Stage 15961896". Vienna: Hollitzer, 2014 (= Ottomania 2).Mikael Bøgh Rasmussen, M.A., PhD. HM the Queen's Reference Librarian at the Danish Royal Collection. Former employments at Statens Museum for Kunst in Copenhagen, The Museum of National History in Hillerød and The Danish National Art Library. Lecturer in art history and renaissance studies at Copenhagen University. Has published on royal portraiture, court artists, and European-Ottoman cultural exchange in the Early Modern era, in particular focusing on the Danish renaissance artist Melchior Lorck.

Résumé
The confrontation between European countries and the expanding Ottoman Empire in the early modern era has played a major role in numerous fields of history. The aim of this book is to investigate the European-Ottoman interrelations from three angles. One deals with the circumstances: How did the Europeans meet the Turks in pragmatic and diplomatic connections? Another concerns imagery: how were the Turks depicted in literature and art? The third examines performativity: how were the Turks inserted into plays, operas and ceremonies?This book confronts mental, visual and embodied images with historical positions and conditions. The focus, therefore, is on the dynamic interactive processes of experience, embodiment and imagination in context. Bringing together Turkish and European scholars, it applies a number of research strategies used by historians to the history of art, literature, music and theatre. Contributions by Pl cs | Robert Born | Asli irakman | Anne Duprat | Kate Fleet | Bent Holm | Marcus Keller | Maria Pia Pedani | Mogens Pelt | Mikael Bgh Rasmussen | Gnsel Renda | Pia Schwarz Lausten | Charlotte Colding Smith | Suna Suner | Dirk Van Waelderen

Contenu
IX Kaleidoscopic ReflectionsBent Holm and Mikael Bøgh Rasmussen (Copenhagen) PART I: THE ACTUAL TURKThe Ottoman Empire and Europe: The Making and Un-Makingof a Muslim-Orthodox PartnershipMogens Pelt (Copenhagen)The Absence of the Ottoman Empire in European HistoriographyKate Fleet (Cambridge)The Legations of the Most Serene Republic to the Sultan and theFascination of Ottoman CultureMaria Pia Pedani (Venice)Claiming Possession through Depiction: Hungarian Humanist Envoysin the Ottoman EmpirePál Ács (Budapest)The Turks in East Central Europe, with a Focus on Hungary,the Romanian Principalities, and PolandRobert Born (Leipzig/Berlin) PART II: THE IMAGINED TURKThe Image of the Turks in European Anglophone Intellectual DiscourseAsl Çrakman (Ankara)Changing Images and Cross-Cultural Encounters: Europe and theOttoman EmpireGünsel Renda (Istanbul)Images of the Turk in Sixteenth-Century Italian Historical WritingsPia Schwarz Lausten (Copenhagen)Variations in Oriental Motifs in Sixteenth- and Seventeenth-CenturyEuropean LiteratureAnne Duprat (Amiens)The Turk in the Symbolic Civil Wars of France: Ally and CombatantMarcus Keller (Urbana-Champaign, Illinois)Shifting Identities Over Time: Images of the Turk in Sixteenth-CenturyGerman Biblical IllustrationsCharlotte Colding Smith (Bremerhaven)The Truthful Image(s) of the Turk(s)Mikael Bøgh Rasmussen (Copenhagen) PART III: THE EMBODIED TURK"Celebrating the Orient": The Ottomans in Printsand Festivitiesin the Habsburg NetherlandsDirk Van Waelderen (Leuven)Turks in Royal Rituality: Apocalyptic Historiographyin Performative PracticeBent Holm (Copenhagen)"Der türkische Gesandte samt sein Gefolge": Theatre andOttoman Diplomacy to Vienna in the Eighteenth CenturySuna Suner (Vienna)Prismatic RefractionsBent Holm and Mikael Bøgh Rasmussen (Copenhagen) APPENDIXBibliographyNamesPlacesCurricula Vitae