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Twenty-first century popular culture has given birth to a peculiar cultural figure: the hipster. Stereotypically associated with nerd glasses, beards and buns, boho clothing, and ironic T-shirts, hipsters represent a (post-)postmodern (post-)subculture whose style, aesthetics, and practices have increasingly become mainstream. Hipster Culture is the first comprehensive collection of original studies that address the hipster and hipster culture from a range of cultural studies perspectives.
Analyzing the cultural, economic, aesthetic, and political meanings and implications of a wide range of phenomena prominently associated with hipster culture, the contributors bring their expertise and own research perspectives to bear, thus shaping the volume's transnational and intersectional approach. Chapters address global and local manifestations of hipster culture, processes of urban gentrification and cultural appropriation, alternative foodways and eclectic fashion styles, the significance of nostalgia, retro technologies and social media, and the aesthetics and cultural politics of literature, film, art, and music marked by self-reflexivity, irony, and a simultaneous longing for an earnest authenticity. Hipster Culture explores the diversification of hipster culture, sheds light on popular constructions of the hipster as cultural Other, and critically investigates hipster culture's entanglements with and challenges to dominant cultural discourses of gender, ethnicity, race, sexuality, age, religion, and nationality.
Auteur
Heike Steinhoff is Junior Professor of American Studies at Ruhr-University Bochum, Germany. She is the author of Transforming Bodies: Makeovers and Monstrosities in American Culture (2015) and Queer Buccaneers: (De)Constructing Boundaries in the Pirates of the Caribbean Film Series (2011). She has also published articles on representations of the body, gender, sexuality, and space in American literature and film.
Contenu
Acknowledgements
List of Illustrations
Hipster Culture: A Definition
Heike Steinhoff (Ruhr-University Bochum, Germany)
Part I: Hipster Places, Identities and Transformations
Pastiching the Pastoral: Hipster Farmers and the Commodification of American Agriculture
Katje Armentrout (Purdue University, USA)
Part II: Hipster Fashion, Porn, and Body Politics
The Politics of Hipster Porn/ography
Alexandra Hauke (University of Vienna, Austria) and Philip Jacobi (University of Passau, Germany)
Part III: Hipster Literature and Self-Fashioning
"The Straight Queer": Hipster Appropriation in the Work of James Franco
Ben Robbins (**University of Innsbruck, Austria)
Part IV: Hipster Media, Aesthetics and Identity Politics
Hipster Post-Communities and Digital Nostalgia Design
Marek Jezi**nski (Nicolaus Copernicus University, Poland) and Lukasz Wojtkowski (Nicolaus Copernicus University, Poland)
Part V: Hipster Foodways and Cultural Politics
The Paradox of the Hungry Hipster: The Representation and Cultural Politics of Hipster Foodways
Kathleen LeBesco (Marymount Manhattan College, USA ) and Peter Naccarato (Marymount Manhattan College, USA)
Part VI: Hipsters as Intersectional Identities
Skinny Jeans in the Sanctuary: The Hipster Christian Subculture
Caroline Barnett (**First ***Presbyterian Church of Auburn, USA)