Domestic Labor in Twenty-First Century Latin American Cinema

'This is a path-breaking collection that addresses the saliency of "domestic work" in contemporary Latin American cinema. Through its well-curated essays, the collection contributes to an understanding of the representation of domestic work and workers in relationship to affect and emotion, space and place, and agency.' - Ana M. López, Professor in the Communication Department and Associate Provost, Tulane University, USA 'This is the first book to explore the representation of domestic workers in Latin American cinema of the 21st century. There is a growing genre of fascinating films that feature the domestic worker across Latin America and this edited book is timely, well researched and illuminating. This is an essential volume for anyone who wants to understand the figure of the domestic worker and how she has been seen in recent Latin America cinema.' - Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth,UK

'If there still remains one sociocultural constant among the diverse societies of Latin America, it is the domestic servant. Even into the twenty-first, as the studies presented in this volume, the domestic servant plays a role that, no matter how things change with the latest versions of modernity, her absence would bring down the social narrative.' - David William Foster, Regents Professor of Spanish and Women and Gender Studies, Arizona State University, USA

Traditionally, paid domestic workers have been marginalized in Latin American cinema. Since 2000, however, a number of recent films have questioned this historical marginalization of domestic employment by making these workers the center of their narratives. Domestic Labor in Twenty-First Century Latin American Cinema provides the first in-depth exploration of the representation of domestic labor in recent Latin American films. This edited volume examines both feature and documentary films that focus on the doméstica as an emergent subject that challenges hierarchical power structures within the household. Each chapter sheds light on how domestic workers respond to economic, social, political, and cultural anxieties and tensions. Sofía Ruiz-Alfaro is Associate Professor of Spanish at Franklin & Marshall College, USA.

Elizabeth Osborne is Assistant Professor of Spanish at Worcester State University, USA.

Auteur

Elizabeth Osborne, PhD, is Assistant Professor in the Department of World Languages, Worcester State University, USA. Sofía Ruiz-Alfaro, PhD, is Associate Professor in the Department of Spanish and Linguistics, Franklin and Marshall College, USA.

Texte du rabat
'This is a path-breaking collection that addresses the saliency of domestic work in contemporary Latin American cinema. Through its well-curated essays, the collection contributes to an understanding of the representation of domestic work and workers in relationship to affect and emotion, space and place, and agency.'
Ana M. López, Professor in the Communication Department and Associate Provost, Tulane University, USA

'This is the first book to explore the representation of domestic workers in Latin American cinema of the 21st century. There is a growing genre of fascinating films that feature the domestic worker across Latin America and this edited book is timely, well researched and illuminating. This is an essential volume for anyone who wants to understand the figure of the domestic worker and how she has been seen in recent Latin America cinema.'
Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth, UK

'If there still remains one sociocultural constant among the diverse societies of Latin America, it is the domestic servant. Even into the twenty-first, as the studies presented in this volume, the domestic servant plays a role that, no matter how things change with the latest versions of modernity, her absence would bring down the social narrative.'
David William Foster, Regents Professor of Spanish and Women and Gender Studies, Arizona State University, USA

Traditionally, paid domestic workers have been marginalized in Latin American cinema. Since 2000, however, a number of recent films have questioned this historical marginalization of domestic employment by making these workers the center of their narratives. Domestic Labor in Twenty-First Century Latin American Cinema provides the first in-depth exploration of the representation of domestic labor in recent Latin American films. This edited volume examines both feature and documentary films that focus on the doméstica as an emergent subject that challenges hierarchical power structures within the household. Each chapter sheds light on how domestic workers respond to economic, social, political, and cultural anxieties and tensions. Sofía Ruiz-Alfaro is Associate Professor of Spanish at Franklin & Marshall College, USA.

Elizabeth Osborne is Assistant Professor of Spanish at Worcester State University, USA.

Résumé

This volume explores the character of the domestic worker in twenty-first century Latin American cinema and analyzes how recent filmic representations of the housemaid question the marginalization of domestic servants, in particular women, by making them the center of their narratives, their families, and society. The essays in this book posit the female domestic worker as an emergent subjectivity, a complex character who problematizes and contests the hierarchical power structures within the family dynamics and new socioeconomic orders found in contemporary Latin America.

Readers will find a variety of representations across the continent as well as transnational commonalities of the cinematic figure and role of the housemaid, including the negotiation of a multilayered politics of affection in the framework of prevalent paternalism, and the complex and contradictory dynamic between private and public spaces, where domestic paid labor occupies a central role in maintaining gender, class, and ethnic inequalities.

Contenu
Introduction: A Brief History of Female Domestic Labor in Latin American Film; Elizabeth Osborne and Sofía Ruiz-AlfaroSection I: Affect and Affection1. Indigestive Intakes: Affection, Food, and Power in Recent Latin American Films on Domestic Work; Karina Elizabeth Vázquez2. De-familiarizing the Maid: Alicia Scherson's Play (2005); Susana Domingo Amestoy3. Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema; Carlos Cortez Minchillo Section II: Spatial Divisions and Borders4. Dangerous Backyards: Domestic Labor and the Erosion of Gender Hierarchies in La Sirga and La tierra y la sombra; Marcelo Carosi5. ¡Écheme y arreglamos! Domestic Work, Private Life and Public Space in Argentine Cinema; Natalia Polito6. Neplantleras de la frontera: Cinematic Representations of la doméstica in the US-Mexico Border; Sofía Ruiz-Alfaro7. Yo no nací para amar: Rendering Visible Affective Labor, Biocontrol, and the Mexican Female Domestic Employee in Qué le dijiste a Dios?; Olivia CosentinoSection III. Empathy and Agency8. Domestic Workers and the Axes of Affect: New Home Layouts in Recent Latin American Films; Milton Fernando Gonzalez-Rodriguez9. Moving Beyond Maternalism and Mimicry? Domestic Service in Cama adentro, La nana, and Hilda; Elizabeth Osborne10. Tales of the Second Side: Otherness and the Identities of the Brazilian Maid in Domésticas-O Filme and Doméstica; Mauricio Sellmann Oliveira11. From Alterity to Self: A New Poetics of Domestic Service in Recent Argentine Films; María Julia Rossi