Decolonial Aesthetics II

The texts of the volume all deal with the imperative of 'decolonization': they try to highlight aesthetic strategies of (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories as well as aesthetic practices that are absent from or too little perceived in nationally bound consciousnesses. Novels, poems and musical performances from the East African region are analyzed as intertwined histories of the Indian Ocean. Artworks of the Black Atlantic and perceptions of Africa are discussed from, for example, Brazilian perspectives or within the German context. Decolonizing exhibition practices in ethnological or art museums are evaluated. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures.

Auteur

Patrick Oloko is a professor of literature at Lagos University, Nigeria, and member of the DFG-Cluster of Excellence at the University of Bayreuth, Germany. Michaela Ott is a Professor of Aesthetic Theory at the HfbK Hamburg and member of the DFG-Cluster of Excellence at the University of Bayreuth, Germany. Peter Simatei is a professor of literature at MOI University, Kenia, and member of the DFG-Cluster of Excellence at the University of Bayreuth, Germany. Clarissa Vierke is a professor of literature and member of the DFG-Cluster of Excellence at the University of Bayreuth, Germany.