Collecting Across Cultures

In the early modern age more people traveled farther than at any earlier time in human history. Many returned home with stories of distant lands and at least some of the objects they acquired during their journeys. And those who did not travel eagerly acquired wondrous materials that arrived from faraway places. Objects traveled various routespersonal, imperial, missionary, or tradeand moved not only across space but also across cultures.Histories of the early modern global culture of collecting have focused for the most part on European Wunderkammern, or ",cabinets of curiosities.", But the passion for acquiring unfamiliar items rippled across many lands. The court in Java marveled at, collected, and displayed myriad goods brought through its halls. African princes traded captured members of other African groups so they could get the newest kinds of cloth produced in Europe. Native Americans sought colored glass beads made in Europe, often trading them to other indigenous groups. Items changed hands and crossed cultural boundaries frequently, often gaining new and valuable meanings in the process. An object that might have seemed mundane in some cultures could become a target of veneration in another.The fourteen essays in Collecting Across Cultures represent new work by an international group of historians, art historians, and historians of science. Each author explores a specific aspect of the cross-cultural history of collecting and display from the dawn of the sixteenth century to the early decades of the nineteenth century. As the essays attest, an examination of early modern collecting in cross-cultural contexts sheds light on the creative and complicated ways in which objects in collections served to create knowledgesome factual, some fictionalabout distant peoples in an increasingly transnational world.

Auteur
Daniela Bleichmar is Associate Professor of Art History and History at the University of Southern California. Peter C. Mancall is Andrew W. Mellon Professor of the Humanities and Professor of History and Anthropology at the University of Southern California and Director of the USC-Huntington Early Modern Studies Institute.

Contenu

List of Illustrations

Foreword
Malcolm Baker

Introduction
Daniela Bleichmar and Peter C. Mancall

I. COLLECTING AND THE CONSTRUCTION OF KNOWLEDGE IN THE EARLY MODERN WORLD
Chapter 1. Seeing the World in a Room: Looking at Exotica in Early Modern Collections
Daniela Bleichmar
Chapter 2. Collecting Global Icons: The Case of the Exotic Parasol
Benjamin Schmidt
Chapter 3. Ancient Europe and Native Americans: A Comparative Reflection on the Roots of Antiquarianism
Alain Schnapp

II. COLLECTING AND THE FORMATION OF GLOBAL NETWORKS
Chapter 4. Aztec Regalia and the Reformation of Display
Carina L. Johnson
Chapter 5. Dead Natures or Still Lifes? Science, Art, and Collecting in the Spanish Baroque
José Ramón Marcaida and Juan Pimentel
Chapter 6. Crying a Muck: Collecting, Domesticity, and Anomie in Seventeenth-Century Banten and England
Robert Batchelor
Chapter 7. Collecting and Translating Knowledge Across Cultures: Capuchin Missionary Images of Early Modern Central Africa, 1650-1750
Cécile Fromont
Chapter 8. European Wonders at the Court of Siam
Sarah Benson

III. COLLECTING PEOPLE
Chapter 9. Collecting and Accounting: Representing Slaves as Commodities in Jamaica, 1674-1784
Trevor Burnard
Chapter 10. ''Collecting Americans'': The Anglo-American Experience from Cabot to NAGPRA
Peter C. Mancall

IV. EUROPEAN COLLECTIONS OF AMERICANA IN THE EIGHTEENTH AND NINETEENTH CENTURIES
Chapter 11. Spanish Collections of Americana in the Late Eighteenth Century
Paz Cabello Carro
Chapter 12. Martínez Compañón and His Illustrated ''Museum''
Lisa Trever and Joanne Pillsbury
Chapter 13. Europe Rediscovers Latin America: Collecting Artifacts and Views in the First Decades of the Nineteenth Century
Pascal Riviale
Chapter 14. Image and Experience in the Land of Nopal and Maguey: Collecting and Portraying Mexico in Two Nineteenth-Century French Albums
Megan E. O'Neil

Notes
List of Contributors
Index
Acknowledgments