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This book takes a bold look at public art and its populist appeal,
offering a more inclusive guide to America's creative tastes and
shared culture. It examines the history of American public art
from FDR's New Deal to Christo's The Gates -
and challenges preconceived notions of public art, expanding its
definition to include a broader scope of works and concepts.
Expands the definition of public art to include sites such as
Boston's Big Dig, Las Vegas' Treasure Island, and Disney World
Offers a refreshing alternative to the traditional rhetoric and
criticism surrounding public art
Includes insightful analysis of the museum and its role in
relation to public art
Auteur
Cher Krause Knight is Assistant Professor of Art History in the Department of Visual and Media Arts at Emerson College in Boston. She has published her work in Visual Resources, the Journal of American and Comparative Cultures, Analecta Husserliana: The Yearbook of Phenomenological Research, and American Art Review, as well as in the anthologies Reclaiming the Spiritual in Art: Contemporary Cross-Cultural Perspective*s, and *Blaze: Discourse on Art, Women and Feminism.
Texte du rabat
American public art is a living entity always in flux. It is not relegated only to physical objects, but is manifested through an accretion of meaningful experiences. Though the art world has often taken an elitist view of popular culture, public interest in art has grown. This dynamic has thrust public art into the center of academic and intellectual debate, especially in the last few decades.
This book takes a bold look at public art through a populist lens, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of public art from FDR's New Deal to Christo's The Gates and challenges preconceived notions of public art, expanding its definition to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney World. In doing so, it offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art.
Reframing populist sentiments, Public Art: Theory, Practice and Populism lobbies for a revolution in the way we think about, talk about, and appreciate public art.
Résumé
This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art from FDR's New Deal to Christo's The Gates and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts.
Contenu
Dedication.
Acknowledgements.
Preface.
Roosevelt's New Deal.
General Services Administration's Art-in Architecture Program.
National Endowment for the Arts' Art-in-Public-Places Program.
Art as Monument, Art as Memorial.
Art as Amenity.
Art in the Park, Art as the Park.
Art as the Agora.
Art as Pilgrimage.
What Museums Do for Us.
My Museum.
Education, Outreach, Programming.
The Alternative Museum/Alternatives to Museums.
The Art of Entertainment.
This is Special, I am Special.
Open Pocketbook, Open Agenda?.
Embracing Spectacle.
Power to the People.
Claiming Space and Place.
Dig In.
The Trouble with (Re)Development.
Nonprofits and the Ephemeral Idyll.
Back to School.
Grieving Loss, Remembering Life.
Two Tales in One City.
Bibliography.
Index