Debussy, Bergson and the Music of 'la duree'

Charles Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of durée, revealing his 'revolution' in musical time.

Auteur

Charles Frederick Frantz is a guitarist, pianist, and educator. He has over 30 years of teaching experience in music history, theory, piano, and guitar along with a breadth of performance experience that includes concerts at Carnegie Hall and the Philadelphia Academy of Music. He leads the New Jersey Jazz Quartet on guitar and regularly performs as a soloist in piano concerts.