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Sometime late in 1664, the musketeer D'Artagnan rode beside a heavily-armoured carriage as it rumbled slowly southwards from Paris, carrying his great friend Nicolas Fouquet to internal exile and life imprisonment in the fortress of Pignerol. There he would be incarcerated in a cell next door to the Man with the Iron Mask...From a glittering zenith as the King's first minister, builder of the breathtaking chateau of Vaux-le-Vicomte, collector of books, patron of the arts and lover of beautiful women, Fouquet had fallen like Icarus. Charged with embezzlement, he was convicted and sentenced to banishment until the King intervened to change his sentence to life imprisonment.Charles Drazin's riveting account brings to life the rich and hazardous world in which Foucquet lived. As a child he learned from his devout mother how to mix herbal remedies for the patients at the Hotel-Dieu and from his father, a creature of Cardinal Richelieu, the demands of political life. Drazin tells of the young man's first adventures as a tax-collector, caught up in rebellion in the Dauphin , of the loyalty and service that he gave to Cardinal Mazarin and of the financial wizardry that somehow kept France's finances together. The cunning, charisma and charm of Fouquet enchant and beguile while they reveal the seeds of his destruction. But it is in his downfall and incarceration, which he bore with great fortitude, courage and humour, that Fouquet's strength of character and grace emerge, as he somehow survives both solitary confinement and absence of books, pen and ink. The richness and contrasts of his remarkable story are done full justice in this compelling book.
Sometime late in 1664, the musketeer D'Artagnan rode beside a heavily-armoured carriage as it rumbled slowly southwards from Paris, carrying his great friend Nicolas Fouquet to internal exile and life imprisonment in the fortress of Pignerol. There he would be incarcerated in a cell next door to the Man with the Iron Mask...
From a glittering zenith as the King's first minister, builder of the breathtaking chateau of Vaux-le-Vicomte, collector of books, patron of the arts and lover of beautiful women, Fouquet had fallen like Icarus. Charged with embezzlement, he was convicted and sentenced to banishment until the King intervened to change his sentence to life imprisonment.
Charles Drazin's riveting account brings to life the rich and hazardous world in which Foucquet lived. As a child he learned from his devout mother how to mix herbal remedies for the patients at the Hotel-Dieu and from his father, a creature of Cardinal Richelieu, the demands of political life. Drazin tells of the young man's first adventures as a tax-collector, caught up in rebellion in the Dauphiné , of the loyalty and service that he gave to Cardinal Mazarin and of the financial wizardry that somehow kept France's finances together. The cunning, charisma and charm of Fouquet enchant and beguile while they reveal the seeds of his destruction.
But it is in his downfall and incarceration, which he bore with great fortitude, courage and humour, that Fouquet's strength of character and grace emerge, as he somehow survives both solitary confinement and absence of books, pen and ink. The richness and contrasts of his remarkable story are done full justice in this compelling book.
Préface
The story - straight out of Dumas - of the rise and fall of Nicolas Fouquet, Louis XIV's first finance minister and the man who 'outshone the Sun King'.
Auteur
Charles Drazin
Texte du rabat
Praise for Charles Drazin:
The Finest Years: British Cinema of the 1940s
'Studded with...unlikely odysseys...fascinating stories, all of them, narrated with wit, generosity and erudition' Jonathan Coe, Guardian
In Search of The Third Man
'This book will enhance the enjoyment of everyone who sees The Third Man... Greene and particularly Reed would surely have approved. There can be no higher praise' The Times
'The film book of the year' Jonathan Ross, Film '99
Korda: Britain's Only Movie Mogul
'In this thorough and jaunty biography, Drazin gives us a masterly portrait' Sunday Times
'The light he shines on his subject is charming and original... Film history rarely has such a deft touch. As with so much, Korda got lucky.' Times Literary Supplement