Beckett and Modernism

This book of collected essays approaches Beckett's work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine 'modernism' in connection to concepts such as 'late modernism' or 'postmodernism'. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre - encompassing poetry, criticism, prose, theatre, radio and film - as a case study to investigate and reassess the concept of 'modernism after postmodernism' in all its complexity, covering a broad range of topics spanning Beckett's entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.

Auteur
Olga Beloborodova is a PhD researcher at the University of Antwerp's Centre for Manuscript Genetics. Her work examines the evocations of fictional minds in Samuel Beckett's prose and drama according to the paradigm of extended cognition. She is also one of the editors of the Beckett Digital Manuscript Project.
Dirk Van Hulle is Professor of English Literature at the University of Antwerp, Belgium, Director of the Centre for Manuscript Genetics and Co-Director of the Beckett Digital Manuscript Project. His publications include Modern Manuscripts (2014), Samuel Beckett's Library (with Mark Nixon, 2013) and the New Cambridge Companion to Samuel Beckett (2015).
Pim Verhulst is a postdoctoral researcher at the University of Antwerp's Centre for Manuscript Genetics. His recent publications include The Making of Samuel Beckett's Molloy and Malone meurt / Malone Dies (with Magessa O'Reilly and Dirk Van Hulle, 2017). He is Assistant Editor of the Journal of Beckett Studies.

Contenu

1. How Beckett Has Modified Modernism: From Beckett to Blanchot and Bataille; JEAN-MICHEL RABATÉ.- 2. From Language Revolution to Literature of the Unword: Beckett as Late Modernist; SHANE WELLER.- 3. Late and Belated Modernism: Duchamp...Stein.Feininger..Beckett; CONOR CARVILLE.- 4. Beckett and Joyce, Two Nattering Nabobs of Negativity; SAM SLOTE.- 5. Beckett, Lewis, Joyce. Reading Dream of Fair to Middling Women through The Apes of God and Ulysses; JOSÉ FRANCISCO FERNÁNDEZ.- 6. 'Omniscience and omnipotence': Molloy and the End of 'Joyceology'; ANDY WIMBUSH.- 7. 'A new occasion, a new term of relation': Samuel Beckett and T. S. Eliot; WILLIAM DAVIES.- 8. 'The gantelope of sense and nonsense run': Echo's Bones and Other Precipitates in the 1930s; ONNO KOSTERS.- 9. Schenectady Putters and Leaving Certificate Ta-Ta's: Satirising Irish Nation-Building in 'Echo's Bones'; FEARGAL WHELAN.- 10. Samuel Beckett's 'Le Concentrisme' and the Modernist Literary Hoax; PAUL FAGAN.- 11. Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights and the Politics of Godot; S. E. GONTARSKI.- 12. Samuel Beckett and Modern Dance; EVELYNE CLAVIER.- 13. 'Execrations on another plane': Film Theory in Close Up and Beckett's Late Prose; GALINA KIRYUSHINA .- 14. 'Temporarily sane': Beckett, Modernism and the Ethics of Suicide; ULRIKA MAUDE.- 15. Broadcasting the Mind: Extended Cognition in Beckett's Radio Plays; OLGA BELOBORODOVA AND PIM VERHULST.