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This welcome new resource for international students in art,
design, and media provides clear explanations of the terminology
they must master in order to fulfill their academic potential and
enrich their professional careers.
Offers a much-requested new resource that fills a gap in
the academic market
Tailored specifically to the needs of international students in
art, design, and media
Color-coded key words and phrases for quick reference
Includes sections on study skills, academic expectations in
Western institutions, methodologies, and important theorists
An ideal handbook for curators and gallery staff everywhere for
whom English is a non-native language
Auteur
Annie Makhoul is head of the Department for International Studies at the Winchester School of Art, University of Southampton, UK. Dr. Makhoul has been working with international students, particularly from Asia, for a decade and is responsible for the development of Winchester School of Art's international program.
Simon Morley is Visiting Fellow in the Winchester School of Art, University of Southampton, UK, and Assistant Professor at Dankook University, South Korea. A former Course Leader of the MA in Fine Art at Winchester School of Art, and lecturer at Sotheby's Institute, Dr. Morley is a celebrated artist, writer, and lecturer who has exhibited his work internationally and is the author of Writing on the Wall: Word and Image in Modern Art (2003), and editor of The Sublime: Documents in Contemporary Art (2010). His writings and reviews have appeared in such publications as Third Text, Art Monthly, Tate Magazine, and The Independent on Sunday.
Texte du rabat
This comprehensive new guide offers the growing numbers of international students undertaking courses in art and design help with the subject's English-language lexicon. Drawing on the authors' long experience of teaching and working with international students, this guide has been tailored specifically to their needs and features clear explanations of the specialist vocabulary in art and design that they must master if they are to fulfil their academic potential. Color-coded for ease of reference, the guide also covers art history and theory, and includes details on the pedagogy and academic requirements and methodologies of art and design courses in the West. A further section on academic resources includes an exhaustive list of publications, journals, websites, and galleries.
As well as offering a vital, much-requested fresh resource for students for whom English is a non-native language, this new publication is an ideal handbook for curators and professionals working in galleries and art museums who wish to familiarize themselves with English-language phraseology in art, design, and media.
Résumé
This welcome new resource for international students in art, design, and media provides clear explanations of the terminology they must master in order to fulfill their academic potential and enrich their professional careers.
Contenu
Acknowledgements x
Preface xi
I KEY WORDS AND PHRASES IN ART, DESIGN AND MEDIA 1
Part A glossary 2
Part B Useful educational terms 83
Part C Verb list 90
Making behaviour 90
Creative behaviour 92
Complex, logical and judgemental behaviour 93
Study behaviour 94
II ILLUSTRATED ART OBJECTS 95
III STUDY SKILLS 113
Part A Defining principles 114
The Western educational style 114
Convergent and divergent thinking 115
Part B Study skills in art, media and design 117
What are BA honours, MA and PhD degrees? 117
What is practice-based postgraduate research? 119
Learning goals in art, media and design courses 120
Learning outcomes 121
IV METHODOLOGIES AND CULTURAL CONTEXT 125
Part A Some historical background 126
Part B Thinking about world-views 134
Creating your own world-view 136
Part C Methodological approaches in art, media and design 141
Historical background 141
Modernism 143
Postmodernism 147
V AN INTRODUCTION TO KEY THINKERS AND CONCEPTS IN ART, MEDIA AND DESIGN 151
Part A Background 156
Sociology 157
Psychology 159
Phenomenology 162
Philosophy of language 166
Marxism 169
Vitalism 172
Part B Contemporary thinkers and concepts 175
Structuralism 180
Hermeneutics 181
Pragmatism 183
Poststructuralism 185
Post-Marxism 189
Gender studies 199
Postcolonial theory 201
Postmodern vitalist theory 204
Technology, media and postmodernity 209
Posthumanism and cyberculture 215
VI OTHER USEFUL INFORMATION 221
Part A Graphics 222
Galleries and museums 222
Artists' materials, book and computer shops 223
Art and design awards 223
Magazines, websites and blogs 224
Designers and agencies 224
Part B Fine art 227
Art shops and bookshops in london 227
Art and design awards 227
Magazines, websites and blogs 228
Studios 228
Artists 228
VII SUGGESTED GENERAL READING 231
General surveys 232
Key texts 232
Modern art 233
Contemporary art 235
New media 238
Global art 238
Design 239
Index 240