Against Theatre

Against Theatre shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre.

Auteur
ARNOLD ARONSON Associate Professor of English at the University of Toronto, Canada HERBERT BLAU Byron W. and Alice L. Lockwood Professor of the Humanities at the University of Washington, USA ELIN DIAMOND Professor of English at Rutgers University, USA ELINOR FUCHS Professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama, USA CHARLIE KEIL Associate Professor in the History Department and the Cinema Studies Programme at the University of Toronto, Canada HERBERT LINDENBERGER Avalon Foundation Professor Humanities Emeritus at Stanford University, USA PATRICK MCGUINNESS Fellow and Tutor in French at St. Anne's College, Oxford, UK MARTIN PERLOFF Sadie D. Patek Professor of Emerita of Humanities at Stanford University, USA DAVID SAVRAN Professor of Theatre at CUNY Graduate Centre, USA JULIA STONE PETERS Professor of English and Comparative Literature at Columbia University, USA REBECCA L. WALKOWITZ Assistant Professor of English at the University of Wisconsin-Madison, USA KIRK WILLIAMS Assistant Professor of German and Theatre Studies at Yale University, USA

Contenu
List of Illustrations Acknowledgements Note on the Contributors Introduction: Modernism and Anti-Theatricality; A.Ackerman & M.Puchner PART I: FRAMES Avant-Garde Scenography and the Frames of the Theatre; A.Aronson Clown Shows: Antitheatrical Theatricalism in Four Twentieth Century Plays; E.Fuchs Anti-Theatricality in Twentieth-Century Opera; H.Lindenberger 'All the Frame's a Stage': (Anti-)Theatricality and Cinematic Modernism; C.Keil PART II: MATERIALS Anti-Theatricality and the Limits of Naturalism; K.Williams Deploying/Destroying the Primitivist Body in Hurston and Brecht; E.Diamond John Cage's Living Theatre; M.Perloff Mallarmé, Maeterlinck and the Symbolist Via Negativa of Theatre; P.McGuinness PART III: VALUES Narrative Theatricality: Joseph Conrad's Drama of the Page; R.L.Walkowitz The Curse of Legitimacy; D.Savran Performing Obscene Modernism: Theatrical Censorship and the Making of Modern Drama; J.S.Peters Seeming, Seeming: the Illusion of Enough; H.Blau Index