All That She Carried

“A remarkable book.”—Jennifer Szalai, The New York Times

“Deeply and lovingly researched . . . a testament to the power of story, witness, and unyielding love.”—Atlanta Journal-Constitution

“Through [Miles’s] interpretation, the humble things in the sack take on ever-greater meaning, its very survival seems magical, and Rose’s gift starts to feel momentous in scale.”—Rebecca Onion, Slate 

“[An] extraordinary story . . . Unique and unforgettable.”—Ms.

“A brilliant exercise in historical excavation and recovery . . . With creativity, determination, and great insight, Miles illuminates the lives of women who suffered much, but never forgot the importance of love and family.”—Annette Gordon-Reed, author of The Hemingses of Monticello

“[A] powerful history of women and slavery.”—The New Yorker

“[A] sparkling tale.”—Oprah Daily

“Tiya Miles is a gentle genius . . . All That She Carried is a gorgeous book and a model for how to read as well as feel the precious artifacts of Black women’s lives.”—Imani Perry, author of Breathe: A Letter to My Sons

“All That She Carried is a moving literary and visual experience about love between a mother and daughter and about many women descendants down through the years. Above all it is Miles’s lyrical story, written in her signature penetrating prose, about the power of objects and memory, as well as human endurance, in the history of slavery. The book is nothing short of a revelation.”—David W. Blight, Yale University, author of the Pulitzer Prize–winning Frederick Douglass: Prophet of Freedom

“Ashley’s Sack, as it is known, with its short and simple message of intergenerational love, becomes a portal through which Tiya Miles views and reimagines the inner lives of Black women. She excavates the history of Black women who face insurmountable odds and invent a language that can travel across time.”—Michael Eric Dyson, author of Long Time Coming: Reckoning with Race in America

“Tiya Miles uses the tools of her trade to tend to Black people, to Black mothers and daughters, to our wounds, to collective Black love and loss. This book demonstrates Miles’s signature genius in its rare balance of both rigor and care.”—Brittney Cooper, author of Eloquent Rage: A Black Feminist Discovers Her Superpower

“All That She Carried is a masterpiece work of African American women’s history that reveals what it takes to survive and even thrive. Read this book and then pass it on to someone you love.”—Martha S. Jones, author of Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All

“Tiya Miles has written a beautiful book about the tragic materiality of black women’s lives across three generations, through slavery and freedom. This book is for anyone interested in learning about black people's centrality to American history.”—Stephanie Jones-Rogers, author of They Were Her Property

“[A] brilliant and compassionate account.”—Kirkus Reviews (starred review)

Auteur

Tiya Miles

Texte du rabat

NATIONAL BOOK AWARD WINNER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft an extraordinary testament to people who are left out of the archives.

KIRKUS PRIZE FINALIST • LONGLISTED FOR THE PEN/JOHN KENNETH GALBRAITH AWARD • ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, Smithsonian Magazine, Book Riot, Library Journal, Kirkus Reviews

"Deeply layered and insightful . . . [a] bold reflection on American history, African American resilience, and the human capacity for love and perseverance in the face of soul-crushing madness."-The Washington Post

"A history told with brilliance and tenderness and fearlessness."-Jill Lepore, author of These Truths: A History of the United States

In 1850s South Carolina, an enslaved woman named Rose faced a crisis, the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few precious items as a token of love and to try to ensure Ashley's survival. Soon after, the nine-year-old girl was separated from her mother and sold.

Decades later, Ashley's granddaughter Ruth embroidered this family history on the bag in spare yet haunting language-including Rose's wish that "It be filled with my Love always." Ruth's sewn words, the reason we remember Ashley's sack today, evoke a sweeping family story of loss and of love passed down through generations. Now, in this illuminating, deeply moving book inspired by Rose's gift to Ashley, historian Tiya Miles carefully unearths these women's faint presence in archival records to follow the paths of their lives-and the lives of so many women like them-to write a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States.

The search to uncover this history is part of the story itself. For where the historical record falls short of capturing Rose's, Ashley's, and Ruth's full lives, Miles turns to objects and to art as equally important sources, assembling a chorus of women's and families' stories and critiquing the scant archives that for decades have overlooked so many. The contents of Ashley's sack-a tattered dress, handfuls of pecans, a braid of hair, "my Love always"-are eloquent evidence of the lives these women lived. As she follows Ashley's journey, Miles metaphorically unpacks the bag, deepening its emotional resonance and exploring the meanings and significance of everything it contained.

All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.

Résumé
NATIONAL BOOK AWARD WINNER • NEW YORK TIMES BESTSELLER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft a “deeply layered and insightful” (The Washington Post) testament to people who are left out of the archives.
 
WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award

*ONE OF THE TEN BEST BOOKS OF THE YEAR: *The Washington Post, Slate, Vulture, Publishers Weekly

“A history told with brilliance and tenderness and fearlessness.”—Jill Lepore, author of These Truths: A History of the United States
 
In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. 
 
Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to ob…