Gringa

Informationen zum Autor JOE THOMAS was born in Hackney in 1977. He is the author of the critically acclaimed São Paulo quartet - Paradise City , Gringa , Playboy , and Brazilian Psycho - and Bent , which was a Guardian Best Book of 2020 and an Irish Times pick of the best crime fiction of 2020. His new novel, White Riot , the start of a trilogy set in Hackney in the 1970s and 1980s, is to be published by Arcadia in January 2023, and will be followed by Red Menace and True Blue . Joe lives in London with his partner and son, and teaches at City, University of London. Klappentext The second thrilling crime novel in the hardhitting São Paulo Quartet Vorwort The second thrilling crime novel in the hardhitting São Paulo Quartet Zusammenfassung The second thrilling crime novel in the hardhitting São Paulo Quartet

Préface
The second thrilling crime novel in the hardhitting São Paulo Quartet

Texte du rabat

The second thrilling crime novel in the hardhitting São Paulo Quartet

Résumé

'As vibrant, colourful and complex as South America's largest city'

São Paulo, 2013: a city at an extraordinary moment in its history.

Mario Leme, a detective in the civil police, has developed a friendship with a young English investigative journalist, Ellie. When she goes to meet a contact in central São Paulo, Mario observes from the street as she walks into a building and doesn't come out. Inside, he discovers the dead body of a young man he doesn't recognise, and Ellie's phone lying on the floor.

Told partly from Leme's point of view, partly from Ellie's, Gringa takes us through five days during the redevelopment of the centre of Sao Paulo in the run-up to the 2014 World Cup. Ellie's disappearance links characters at every level of the social hierarchy, from the drug dealers and civil and military police to the political class she witnesses the feral brutality of urban breakdown.

Gringa, with shades of Don Winslow and James Ellroy, is a portrait of São Paulo

in all its harshness and dysfunction, its corruption and social divisions, its kaleidoscopic dynamism, its undercurrent of derangement, and its febrile, sensual instability, executed with a deep knowledge of the city's a

PRAISE FOR JOE THOMAS

'Brilliant' The Times
'Feverish energy' Guardian
'Wonderfully vivid' Mail on Sunday
'Sophisticated, dizzying' GQ
'Vivid and visceral' The Times
'Superbly realised vivid and atmospheric' Guardian
'Original' Mail on Sunday
'A stylish, atmospheric treat an inspired blend of David Peace and early Pinter' Irish Times
'Sparse, energetic, fragmented prose' The Spectator
'Vibrant, colourful, and complex' Irish Independent
'Stylish, sharp-witted, taut. A must for modern noir fans' NB Magazine
'Definitive confident and energetic' Crime Time
'Brilliant manic energy' Jake Arnott
'Wildly stylish and hugely entertaining' Lucy Caldwell
'Vivid, stylish, funny' Mick Herron
'Gripping, fast-paced, darkly atmospheric' Susanna Jones
'Snappy, thoughtful, moving' John King
'Exciting, fresh, incredibly assured' Stav Sherez
'Happy days!' Mark Timlin
'Utterly brilliant' Cathi Unsworth
'Had James Ellroy and David Peace collaborated on a novel they'd have written something like this' Paul Willets