The Palgrave Handbook of Digital and Public Humanities

This handbook brings together recent international scholarship and developments in the interdisciplinary fields of digital and public humanities. Exploring key concepts, theories, practices and debates within both the digital and public humanities, the handbook also assesses how these two areas are increasingly intertwined. Key questions of access, ownership, authorship and representation link the individual sections and contributions. The handbook includes perspectives from the Global South and presents scholarship and practice that engage with a multiplicity of underrepresented 'publics', including LGBTQ+ communities, ethnic and linguistic minorities, the incarcerated and those affected by personal or collective trauma.

Chapter The Role of Digital and Public Humanities in Confronting the Past: Survivors' of Ireland's Magdalene Laundries Truth Telling' is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

First handbook to present the digital and public humanities as necessarily interconnected fields

Examines the possibilities and challenges of publicly engaged scholarship in the digital humanities & beyond

Assists scholars & practitioners in arts and humanities to produce socially relevant work with external partners

Auteur

Anne Schwan is Professor in English at Edinburgh Napier University. She has published on the history and representation of crime and imprisonment. She set up an award-winning partnership with the Scottish Prison Service and was involved in public engagement activities to raise awareness of First World War Internment Camps.

Tara Thomson is Lecturer in English and Film at Edinburgh Napier University. She has published on literary and geospatial data, data visualization, and digital engagement with cultural heritage. She is a project partner with UNESCO City of Literature Trust, researching literary data, digital experiences and engagement for Edinburgh's Literature House.

Contenu
1. Introduction Anne Schwan and Tara Thomson
Part I: Scholarship, Creative Practice and Engaging with Publics

2. Hybrid Humanities and Hybrid Education: Higher Education in, with and for the Public

   Rikke Toft Nørgård , Susan Schreibman and Mari anne Ping Huang

3. Experiential Education as Public Humanities Practice

   Ashley Bender and Gretchen Busl

4. Open-Data, Open-Source, Open-Knowledge: Towards Open-Access Research in Media Studies

   Giulia Taurino

5. Adventures in Digital and Public Humanities: Co-Producing Trans History Through Creative Collaboration

   Jason Barker, Kate Fisher, Jana Funke, Zed Gregory, Jen Grove, Rebecca Langlands, Ina Linge, Catherine McNamara, Ester McGeeney, Bon O'Hara, Jay Stewart and Kazuki Yamada

   6. SémantiQueer: Making Linked Data Work for Public History Constance Crompton

6. Working with Incarcerated Communities: Representing Women in Prison on Screen

   Paul Gray and Anne Schwan Part II: Making Memory, Making Community

7. Publics, Memory, Affect (or, Rethinking Publicness with Peter Watkins and Hannah Arendt)

   Marco de Waard

8. The Role of Digital and Public Humanities in Confronting the Past: Survivors' of Ireland's Magdalene Laundries Truth Telling

   Jennifer O'Mahoney

9. The Precarious Digital Micropublic of #MeToo: An Ethnographic Account of Facebook Public Groups and Pages

   Christina Riley

   11. Literature, Technology, Society: A Digital Reconstruction of Cultural Conflicts in Chinua Achebe's Things Fall Apart

   Tunde Ope-Davies (Opeibi)

10. Multilingual Handwritten Text Recognition (MultiHTR) or Reading Your Grandma's Old Letters in German, Russian, Serbian and Ottoman Turkish with Artificial Intelligence

    Aleksej Tikhonov, Lesley Loew, Milanka Mati -Chalkitis, Martin Meindl and Achim Rabus
    Part III: Mobilizing the Archive 13. Open Pedagogy and the Archives: Engaging Students in Public Digital Humanities Trey Conatser

    14. Practices and Challenges of Popularizing Digital Public Humanities During the COVID-19 Pandemic in Japan Nobuhiko Kikuchi

11. Breaking the Class Ceiling: The Challenges and Opportunities of Creating a Digital Archive of Edwardian Working-Class Book Inscriptions

    Lauren Alex O'Hagan

12. Learning Seneca: A Case Study on Digital Presentations of North American Indigenous Languages

    Francisco Delgado Part IV: Digital Cultural Heritage

13. Acting on the Cultural Object: Digital Representation of Children's Writing Cultures in Museum Collections

    Lois Burke and Kathryn Simpson

    18. A Data-Driven Approach to Public-Focused Digital Narratives for Cultural Heritage Nicole Basaraba, Jennifer Edmond, Owen Conlan, and Peter Arnds

    19. People Inside: Creating Digital Community Projects on the YARN Platform

    Simon Popple and Jenna Ng

14. 3D Modelling of Heritage Objects: Representation, Engagement and Performativity of the Virtual Realm

    Visa Immonen

15. Making Museum Global Impacts Visible: Advancing Digital Public Humanities from Data Aggregation to Data Intelligence

    Natalia Grincheva Part V: Engaging Space and Place

16. Maps, Music and Culture: Representing Historical Soundscapes through Digital Mapping

    Sara Belotti and Angela Fiore

17. Civic Interaction, Urban Memory, and the Istanbul International Film Festival

    Sarah Jilani

    24. Look at the Graves! : Cemeteries as Guided Tourism Destinations in Latvia

    Solvita Burr, Anna Elizabete Grie, and Karna Krievia Part VI: Public Discourse, Public Art and Activism

18. Public Historians, Social Media, and Hate Speech: The French Case

    Deborah Paci

    26. The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and their Digital Perspectives Diego Mantoan