Blood Talk

Informationen zum Autor

Susan Gillman is a professor of literature and American studies at the University of California, Santa Cruz. She is the author of "Dark Twins: Imposture and Identity in Mark Twain's America" and coeditor of "Mark Twain's Pudd'nhead Wilson: Race, Conflict, and Culture."

Auteur

Susan Gillman is a professor of literature and American studies at the University of California, Santa Cruz. She is the author of "Dark Twins: Imposture and Identity in Mark Twain's America" and coeditor of "Mark Twain's Pudd'nhead Wilson: Race, Conflict, and Culture."

Texte du rabat

The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre--the race melodrama--and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena. "Blood Talk" shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.

Résumé
"Blood Talk" shows how race melodrama emerged from race abolitionist works such as "Uncle Tom's Cabin" and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels and travel literature.