The Oxford Handbook of Mobile Music Studies, Volume 1

This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile - portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance.

Zusatztext A very welcome and totally immersive experience. Informationen zum Autor Sumanth Gopinath is the author of The Ringtone Dialectic: Economy and Cultural Form (2013). His writings on Steve Reich, musical minimalism, Marxism, academic politics, ringtones, Bob Dylan, and Benjamin Britten have appeared in scholarly journals including Music Theory Spectrum, Journal of the Society for American Music, and First Monday, and in the edited collections Sound Commitments, Highway 61 Revisited, and Music and Narrative since 1900.Jason Stanyek is University Lecturer in Ethnomusicology at the University of Oxford, where he is also Fellow and Tutor in Music at St John's College. His writings on Brazilian music, improvisation, music technology, and jazz have appeared in a range of academic journals and edited collections. Forthcoming books include a monograph on music and dance in the Brazilian diaspora and a volume (co-edited with Frederick Moehn) titled Brazil's Northern Wave: Fifty Years of Bossa Nova in the United States. Klappentext This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance. Zusammenfassung This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile -- portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance. Inhaltsverzeichnis Contents 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music Sumanth Gopinath and Jason Stanyek Part I: Theorizing Mobile Music 2. How the MP3 Became Ubiquitous Jonathan Sterne 3. Is a Download a Performance? Marc Perlman 4. Divisible Mobility: Music in an Age of Cloud Computing Martin Scherzinger 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction Michael Bull 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity Tim Wall and Nick Webber Part II: Mobility, Sound and Communication 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace David McCarthy 8. Mobile Semiotics Evelyn Nien-Ming Ch'ien 9. Calling my Name: Sound, Orality and the Cell Phone Contact List Heather A. Horst 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices Katie M. Lever-Mazzuto 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom J. Martin Daughtry Part III: Devices That Listen (The Politics of Aurality) 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser Mara Mills 13. Music Ethnography and Recording Technology in the Unbound Digital Era Anna Schultz and Mark Nye Part IV: Children, Adolescents and Mobile Music Listening 14. Forever and Ever: Mobile Music in the Life of Young Teens Arild Bergh, Tia DeNora, and Maia Bergh 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School Tyler Bickford Part V: Urban Ecologies and Politics 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines Jan M. Padios 17. Stereos in the City: Moving Through Music in South India Sindhumathi Revuluri 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s Joseph Schloss and Bill Bahng Boyer Part VI: National Mobile Music Markets 19. Mexican Mobile Music: Una Convergencia con Sabor ...

A very welcome and totally immersive experience.

Auteur
Sumanth Gopinath is the author of The Ringtone Dialectic: Economy and Cultural Form (2013). His writings on Steve Reich, musical minimalism, Marxism, academic politics, ringtones, Bob Dylan, and Benjamin Britten have appeared in scholarly journals including Music Theory Spectrum, Journal of the Society for American Music, and First Monday, and in the edited collections Sound Commitments, Highway 61 Revisited, and Music and Narrative since 1900. Jason Stanyek is University Lecturer in Ethnomusicology at the University of Oxford, where he is also Fellow and Tutor in Music at St John's College. His writings on Brazilian music, improvisation, music technology, and jazz have appeared in a range of academic journals and edited collections. Forthcoming books include a monograph on music and dance in the Brazilian diaspora and a volume (co-edited with Frederick Moehn) titled Brazil's Northern Wave: Fifty Years of Bossa Nova in the United States.

Contenu

• Contents

• 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music

• Sumanth Gopinath and Jason Stanyek

• Part I: Theorizing Mobile Music

• 2. How the MP3 Became Ubiquitous

• Jonathan Sterne

• 3. Is a Download a Performance?

• Marc Perlman

• 4. Divisible Mobility: Music in an Age of Cloud Computing

• Martin Scherzinger

• 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction

• Michael Bull

• 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity

• Tim Wall and Nick Webber

• Part II: Mobility, Sound and Communication

• 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace

• David McCarthy

• 8. Mobile Semiotics

• Evelyn Nien-Ming Ch'ien

• 9. Calling my Name: Sound, Orality and the Cell Phone Contact List

• Heather A. Horst

• 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices

• Katie M. Lever-Mazzuto

• 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom

• J. Martin Daughtry

• Part III: Devices That Listen (The Politics of Aurality)

• 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser

• Mara Mills

• 13. Music Ethnography and Recording Technology in the Unbound Digital Era

• Anna Schultz and Mark Nye

• Part IV: Children, Adolescents and Mobile Music Listening

• 14. Forever and Ever: Mobile Music in the Life of Young Teens

• Arild Bergh, Tia DeNora, and Maia Bergh

• 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School

• Tyler Bickford

• Part V: Urban Ecologies and Politics

• 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines

• Jan M. Padios

• 17. Stereos in the City: Moving Through Music in South India

• Sindhumathi Revuluri

• 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s

• Joseph Schloss and Bill Bahng Boyer

• Part VI: National Mobile Music Markets

• 19. Mexican Mobile Music: Una Convergencia con Sabor

• Patrick Burkart and Christopher Joseph Westgate

• 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace

• Jayson Beaster-Jones

• 21. A Tale of Two Countries: Online Radio in the United States and Japan

• Noriko Manabe

• 22. Mobile Tactics in the Brazilian Independent Music Industry

• Kariann Goldschmitt

• Index