Shakespeare and the Cultural Politics of Conversion

Shakespeare and the Cultural Politics of Conversion takes a close look at Shakespeare's engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. For playhouse audiences during the period, conversional thought encompassed a diverse, fluid amalgamation of ideas, practices, and arguments centered on the means by which an individual could move from one category of identity to another. In an analysis that includes chapter-length readings of The Taming of the Shrew , Henry IV Part I , The Merchant of Venice , Othello, and The Tempest , Professor Stephen Wittek argues that Shakespearean drama made a unique and substantive intervention in public discourse surrounding conversion, and continues to speak meaningfully about conversional experience for audiences in the present age. It will be of particular benefit to students and scholars with an interest in theatrical history, performance theory, cultural studies, race studies, and gender studies.

Argues that Shakespearean drama made a substantive intervention in public discourse surrounding conversion Situates Shakespeare within a long, ongoing legacy of conversional theorization Posits conversion not as a religious idea, but as cultural phenomenon centered on fluid yet stable tropes

Auteur
Stephen Wittek is Associate Professor in the Department of English at Carnegie Mellon University, USA. He is the author of The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News (2015), and co-editor of two multi-authored collections: Performing Conversion: Cities, Theatre and Early Modern Transformations (2021) and Shakespeare and Virtual Reality (2021). His work has also appeared in journals including Studies in English Literature, Digital Humanities Quarterly, and Journal of Cognitive History.

Texte du rabat
Shakespeare and the Cultural Politics of Conversion takes a close look at Shakespeare s engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. For playhouse audiences during the period, conversional thought encompassed a diverse, fluid amalgamation of ideas, practices, and arguments centered on the means by which an individual could move from one category of identity to another. In an analysis that includes chapter-length readings of The Taming of the Shrew, Henry IV Part I, The Merchant of Venice, Othello, and The Tempest, Professor Stephen Wittek argues that Shakespearean drama made a unique and substantive intervention in public discourse surrounding conversion, and continues to speak meaningfully about conversional experience for audiences in the present age. It will be of particular benefit to students and scholars with an interest in theatrical history, performance theory, cultural studies, race studies, and gender studies.

Résumé
"Stephen Wittek's monograph is best understood-and he does situate it-in the context of recent humanities-centred investigations of conversion that rely on cultural studies approaches. These recent books and essay collections build on both theologically focused and social science (especially psychological) studies of religious conversion while putting more emphasis on textual evidence, especially on the textuality of conversion accounts and representations. Shakespeare and the Cultural Politics of Conversion helpfully summarizes much of this existing scholarship ... ." (Erin E Kelley, Renaissance and Reformation, Vol. 46 (1), 2023)

Contenu

Chapter 1: Introduction: Turning into Other Things.- Chapter 2: What We Talk About When We Talk About Conversion.- Chapter 3: Conversion, Coercion, and Persuasion in The Taming of the Shrew.- Chapter 4: The Politics of Conversion in Henry IV, Part 1.- Chapter 5: Conversional Transactions in The Merchant of Venice.- Chapter 6: Citizenship and Conversion in Othello.- Chapter 7: Colonialism and Conversion in The Tempest.