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CHF53.20
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This collection of authoritative essays represents the latest scholarship on topics relating to the themes, movements, and forms of English fiction, while chronicling its development in Britain from the early 18th century to the present day.
Auteur
Stephen Arata is Professor of English at the University of Virginia. In addition to Fictions of Loss in the Victorian Fin de Siècle (1996) and many essays on nineteenth- and twentieth-century literature, he is a General Editor of the 38-volume New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2014). Madigan Haley holds a PhD from the Department of English at the University of Virginia, where he is a Postdoctoral Preceptor. A comparatist with a special focus on twentieth- and twenty-first-century anglophone literature, he has published on the global novel in The Minnesota Review and in Novel: A Forum on Fiction. His current book project explores how contemporary world literature gives form to an ethical notion of the global. J. Paul Hunter is Barbara E. and Richard J. Franke Professor, Emeritus, at the University of Chicago and Professor of English, Emeritus, at the University of Virginia. His publications include Before Novels: The Cultural Contexts of Eighteenth Century English Fiction (1990), winner of the Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies. Jennifer Wicke, Professor of English at the University of Virginia, is the author of Advertising Fictions: Literature, Advertisement, and Social Reading (1988) and the co-editor of Feminism and Postmodernism (1994). She has published widely on nineteenth- and twentieth-century literature from a global anglophone perspective.
Texte du rabat
A COMPANION TO THE ENGLISH NOVEL "The Companion is more than a useful and up-to-date reference work. It's a genuinely exciting collection of brand new essays by some of the most important living scholars of the English novel. There is no other single volume from which one can learn so much on the subject." James English, University of Pennsylvania "The combined expertise of a team of able contributors and the ingenious planning that allows the English novel to be approached from a variety of perspectives make this a distinctive, and distinctly useful, volume, whether it is dipped into or read right through." Derek Attridge, University of York A Companion to the English Novel presents a collection of authoritative essays that represent the latest scholarship on topics relating to the themes, movements, and forms of English fiction while chronicling its development in Britain from the early eighteenth century to the present day, including the emergence of a global anglophone fiction. Featuring contributions from renowned experts and emerging scholars, readings offer cutting-edge critical analyses of all aspects of the English novel. Initial essays explore the history of the English novel tradition, followed by an examination of genres such as realism, romance, Gothic, and experimental fiction, as well as of the relation between novels and film. Subsequent chapters explore formal features of the novel such as narration, structure, character, and affect. Others examine shifts in critical reception of the English novel, analyze the geographies of contemporary English fiction, and look to the future. Reflecting the most up-to-date scholarship in a field that has undergone dramatic changes in recent times, A Companion to the English Novel is an indispensable resource, adding to our current understanding of the origins and evolution of the rich literary tradition of fictional works produced in Great Britain over the past two centuries.
Contenu
Notes on Contributors viii
Preface xiii
Part I The Novel and Its Histories 1
1 The 1740s 3
Patricia Meyer Spacks
2 The 1790s 18
Lynn Festa
3 The 1850s 34
Ivan Kreilkamp
4 The Long 1920s 49
Jennifer Wicke
5 The 2000s 71
Ashley Dawson
Part II The Novel and Its Genres 87
6 Realism and the Eighteenth Century Novel 89
John Richetti
7 Romance 103
Laurie Langbauer
8 Gothic 117
John Paul Riquelme
9 Popular and Mass Market Fiction 132
Janice Carlisle
10 Experimental Fictions 144
Mark Blackwell
11 The Novel into Film 159
Jonathan Freedman
Part III The Novel in Pieces 175
12 Some Versions of Narration 177
Alison Booth
13 Some Versions of Form 192
Stephen Arata
14 A Character of Character, in Five Metaphors 209
Deidre Lynch
15 Affect in the English Novel 225
Nicholas Daly
Part IV The Novel in Theory 239
16 The Novel in Theory before 1900 241
James Eli Adams
17 The Novel in Theory, 1900-1965 256
Chris Baldick
18 The Novel in Theory after 1965 271
Madigan Haley
Part V The Novel in Circulation 289
19 Making a Living as an Author 291
Deirdre David
20 The Network Novel and How It Unsettled Domestic Fiction 306
Nancy Armstrong and Leonard Tennenhouse
21 Reading Novels, Alone and in Groups 321
Andrew Elfenbein
Part VI Geographies of the Novel 339
22 London 341
Cynthia Wall
23 The Provincial Novel 360
John Plotz
24 Intranationalisms 373
James Buzard
25 Internationalisms and the Geopolitical Aesthetic 387
Lauren M. E. Goodlad
Part VII The Novel, Public and Private 407
26 The Novel and the Everyday 409
Kate Flint
27 The Public Sphere 426
John Marx
28 The Novel and the Nation 441
Christopher GoGwilt
29 World English/World Literature 456
Jonathan Arac
Index 471