Springer Handbook of Systematic Musicology

A research- and application-oriented handbook that covers the complete field of Systematic MusicologyA timely and up-to-date reference, edited by an internationally renowned expertAuthored by the leading experts in the field

Premier reference on the scientific foundations of music Offers a holistic review of this intrinsically interdisciplinary field Collates contributions by experts from various backgrounds

Auteur

Rolf Bader is professor for Systematic Musicology at the Institute of Systematic Musicology at the University of Hamburg, Germany. He studied Systematic Musicology, Physics, Ethnology and Historic Musicology at the University of Hamburg. There he obtained his PhD and habilitation on topics of Musical Acoustics, Music Psychology and Musical Signal Processing. He was a visiting scholar at the Center for Computer Music and Research (CCRMA) at Stanford University in 2005/2006. His major fields of research are Musical Acoustics and Musical Signal Processing, Musical Hardware and Software Development, Music Psychology and Neurocognition, Music Ethnology and Philosophy of Music. He is co-editor of the Springer series Current Research in Systematic Musicology . He published several books as an author, such as Nonlinearities and Synchronization in Musical Acoustics and Music Psychology or Computational Mechanics of the Classical Guitar. Additionally he edited Sound Perception Performance and Concepts, Experiments, and Fieldwork: Studies in Systematic Musicology and many contributing book chapters or peer-reviewed papers. He conducted fieldwork as an ethnomusicologist in Bali, Nepal, Thailand, Cambodia, Myanmar, Sri Lanka, China and India since 1999. He was also working as a professional musician, composer and artist, running recording studios, working as a music journalist, leading exhibitions and running a cinema.

Texte du rabat

The Handbook of Systematic Musicology is trying to reflect this interdisciplinary nature of Systematic Musicology in seven sections. These sections follow the main topics in the field, Musical Acoustics, Signal Processing, Music Psychology, Psychophysics/Psychoacoustics and Music Ethnology while also taking recent research trends into consideration, like Embodied Music Cognition and Media Applications. Other topics, like Music Theory or Philosophy of Music are incorporated in the respective sections.

Contenu
From the Contents: Historical Review.- Part A: Musical Acoustics.- Part B: Musical Signal Processing.- Part C:Music Psychology and Physiology.- Part D: Psychoacoustics.- Part E: Embodied Music Cognition.- Part F: Modern Media Application.- Part G: Ethnomusicology.