Women of Words in Le Morte Darthur

Offering a new reading of Malory's famed text, Le Morte Darthur , this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobhán M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory's authorial crafting indicates his preference for a certain type of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable type yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as scolds, Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowers his enchantress characters; while the authors of his French source texts accentuate Guinevere's flaws, Malory portrays her with sympathy.

Provides a comprehensive examination of Malory's female characters, inspiring future studies on the topic Discusses a widely neglected topic within Arthurian Studies: the voice of the female character Offers a wealth of information, sources, and archival material to contextualize Malory's perspective on women.

Auteur
Siobhán M. Wyatt received her PhD in Medieval Literature from the University of Cambridge, UK. She recently published an article in Arthuriana .

Texte du rabat

Offering a new reading of Malory's famed text, Le Morte Darthur , this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobhán M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory's authorial crafting indicates his preference for a certain type of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable type yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as scolds, Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowershis enchantress characters; while the authors of his French source texts accentuate Guinevere's flaws, Malory portrays her with sympathy.

Contenu
Introduction.- Chapter One: The Ill-speaking Woman and the Marriageable Lady.- Chapter Two: Magical and Miraculous Women.- Chapter Three: 'Whyle She Might Be Suffirde': Ladies In (Unrequited) Love.- Chapter Four: True Lovers and Adulterous Queens.- Conclusion.