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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Expands the understanding of the boundaries of Romanticism and the Gothic Brings together a broad range of scholarship on music spanning the 1960s to the twenty-first century Examines musical influences across the United States, the United Kingdom, and Europe
Auteur
James Rovira is Chair and Associate Professor of English at Mississippi College, USA. He is the author of Blake and Kierkegaard: Creation and Anxiety (2010).
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