Slightly Out of Focus

Zusatztext "A powerful story nimbly told. For devotees of fine photography or accounts of World War II! the Modern Library 's reprinting is a welcome gift." -- Tampa Tribune and Times "Capa's work is itself the picture of a great heart and an overwhelming compassion. . . . He could photograph motion and gaiety and heartbreak. He could photograph thought. He captured a world." -- John Steinbeck "Above all--and this is what shows in his pictures--Capa! who spent so much energy on inventions for his own person! has deep! human sympathy for men and women trapped in reality." -- John Hersey Informationen zum Autor Robert Capa; Foreword by Cornell Capa; Introduction by Richard Whelan Klappentext In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" -- and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man. Our preinvasion breakfast was served at 3:00 a.m. The mess boys of the U.S.S. Chase wore immaculate white jackets and served hot cakes, sausages, eggs, and coffee with unusual zest and politeness. But the preinvasion stomachs were preoccupied, and most of the noble effort was left on the plates. At 4:00 a.m. we were assembled on the open deck. The invasion barges were swinging on the cranes, ready to be lowered. Waiting for the first ray of light, the two thousand men stood in perfect silence; whatever they were thinking, it was some kind of prayer. I too stood very quietly. I was thinking a little bit of everything: of green fields, pink clouds, grazing sheep, all the good times, and very much of getting the best pictures of the day. None of us was at all impatient, and we wouldn't have minded standing in the darkness for a very long time. But the sun had no way of knowing that this day was different from all others, and rose on its usual schedule. The first-wavers stumbled into their barges, and--as if on slow-moving elevators--we descended onto the sea. The sea was rough and we were wet before our barge pushed away from the mother ship. It was already clear that General Eisenhower would not lead his people across the Channel with dry feet or dry else. In no time, the men started to puke. But this was a polite as well as a carefully prepared invasion, and little paper bags had been provided for the purpose. Soon the puking hit a new low. I had an idea this would develop into the father and mother of all D-Days. The coast of Normandy was still miles away when the first unmistakable popping reached our listening ears. We ducked down in the puky water in the bottom of the barge and ceased to watch the approaching coastline. The first empty barge, which had already unloaded its troops on the beach, passed us on the way back to the Chase, and the Negro boatswain gave us a happy grin and the V sign. It was now light enough to start taking pictures, and I brought my first Contax camera out of its waterproof oilskin. The flat bottom of our barge hit the earth of France. The boatswain lowered the steel-c...

Auteur

Robert Capa; Foreword by Cornell Capa; Introduction by Richard Whelan

Texte du rabat

In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier's magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos' first executive editor, called Capa "the century's greatest battlefield photographer" -- and his writing is by turns riotously funny and deeply moving.

From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.

Échantillon de lecture

Our preinvasion breakfast was served at 3:00 a.m. The mess boys of the U.S.S. Chase wore immaculate white jackets and served hot cakes, sausages, eggs, and coffee with unusual zest and politeness. But the preinvasion stomachs were preoccupied, and most of the noble effort was left on the plates.

At 4:00 a.m. we were assembled on the open deck. The invasion barges were swinging on the cranes, ready to be lowered. Waiting for the first ray of light, the two thousand men stood in perfect silence; whatever they were thinking, it was some kind of prayer.

I too stood very quietly. I was thinking a little bit of everything: of green fields, pink clouds, grazing sheep, all the good times, and very much of getting the best pictures of the day. None of us was at all impatient, and we wouldn't have minded standing in the darkness for a very long time. But the sun had no way of knowing that this day was different from all others, and rose on its usual schedule. The first-wavers stumbled into their barges, and--as if on slow-moving elevators--we descended onto the sea. The sea was rough and we were wet before our barge pushed away from the mother ship. It was already clear that General Eisenhower would not lead his people across the Channel with dry feet or dry else.

In no time, the men started to puke. But this was a polite as well as a carefully prepared invasion, and little paper bags had been provided for the purpose. Soon the puking hit a new low. I had an idea this would develop into the father and mother of all D-Days.

The coast of Normandy was still miles away when the first unmistakable popping reached our listening ears. We ducked down in the puky water in the bottom of the barge and ceased to watch the approaching coastline. The first empty barge, which had already unloaded its troops on the beach, passed us on the way back to the Chase, and the Negro boatswain gave us a happy grin and the V sign. It was now light enough to start taking pictures, and I brought my first Contax camera out of its waterproof oilskin. The flat bottom of our barge hit the earth of France. The boatswain lowered the steel-covered barge front, and there, between the grotesque designs of steel obstacles sticking out of the water, was a thin line of land covered with smoke--our Europe, the "Easy Red" beach.

My beautiful France looked sordid and uninviting, and a German machine gun, spitting bullets around the barge, fully spoiled my return. The men from my barge waded in the water. Waist-deep, with rifles ready to shoot, with the invasion obstacles and the smoking beach in the background--this was good enough for the photographer. I paused for a moment on the gangplank to take my first real picture of the invasion. The boatswain, who was in an understandable hurry to get the hell out of there, mistook my picture-taking attitude for explicable h…