The Thistle and The Rose

Engaging...Porter skilfully interweaves the politics with the passion.

Auteur

Doctor Linda Porter is the critically acclaimed author of five books on the Tudors and Stuarts. She was also the historical consultant on Lucy Worsley's BBC1 series, Six Wives, and is currently working as a consultant for a major new Tudor documentary for BBC2.

Texte du rabat

Margaret, the first Tudor princess and queen consort and queen regent of Scotland, is the forgotten Tudor. Yet the elder sister of Henry VIII led a life of great drama, composed in equal parts of privilege and pain, highlighted by personal danger, hardship and loss. Overlooked or dismissed by historians as 'Henry VIII in a dress' (not, in itself, necessarily an insult), Margaret has been ill-served by superficial biographies or heavy-handed academic attempts to paint her as an early feminist prototype. Yet recent research has revealed a quite different woman from the popular image of an oversexed whinger, whose main interests were her wardrobe and attractive young men. The child-woman who, at the age of thirteen, married James IV of Scotland, one of the most charismatic of all British kings, became a successful queen consort, presiding over a colourful and cultured court at some of Scotland's most beautiful palaces. James' death at the disastrous battle of Flodden in 1513 transformed Margaret's world, forcing her to make stark choices for which she has been roundly condemned. But her two spells as regent for her young son, James V, and her determination to manage the fractious relationship between England and Scotland, reveal a true dynast with considerable diplomatic skills, as well as a loving mother committed to the welfare of her son amidst the swirling currents of Scottish politics and family feuds. The Thistle and the Rose reveals a woman who was a gifted politician and diplomatist. It will tell a story of sibling rivalry between Margaret and her brother, Henry VIII, going back to their childhoods, underlined by Henry's ambivalent attitude to his sister's welfare and his refusal to acknowledge her son, the nearest male to him in blood until 1537, as his heir. It will also explore Margaret's disastrous second marriage to Archibald Douglas, earl of Angus, and her third, little-known marriage to Henry Stewart. Her desperate flight to England while heavily pregnant in 1515 and her year-long reunion with her brother and sister, Mary, will also receive the attention they deserve, as will her relationships with her wayward daughter, Margaret Douglas, and her son's two French wives. Margaret's tragedy is that of a mother whose affection was not returned by her children and who has been belittled by history. Her triumph, on the other hand, is that of a true Tudor who had made a significant contribution to the culture and politics of her time.

Résumé
Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France. Often reviled for her hasty remarriage (and therefore the loss of the regency) the book shows that Margaret was damned if she did remarry and damned if she didn't. Her two subsequent marriages were both disastrous personally, but she never gave up. Her son attained the throne in his own right in 1528, largely through his mother's determination. Margaret's story is also one of fierce sibling rivalry with her younger brother, Henry VIII, a series of matrimonial mishaps, and fighting off an unearned reputation as an over-sexed whinger fixated by clothes and jewels, Margaret was a complex (not always likeable) woman who had the true Tudor attributes of self-expression and a flair for the dramatic. She knew that you had to look like a queen. Drawing on Margaret's extensive correspondence (more of her letters survive than of all the other Tudor queens put together), and contemporary poems and literature, Linda Porter fashions a compelling story of a misunderstood and underestimated Tudor monarch, whose determination to fight for the rights of her son, James V, is at the core of her dramatic life and indeed laid the groundwork for a future British state.