Performing Queer Modernism

This book luminously reveals how queerness created modernism through a spinning prism of performances onstage and offstage, legitimate and illegitimate, embodied and literary ... Farfans richly erudite, sinewy writing memorably captures the dense interweaving of sexual and aesthetic dissonance that circulated among audiences as well as performers and writers during this transformational era -- and beyond.

Auteur
Penny Farfan is Professor of Drama at the University of Calgary. She is the author of Women, Modernism, and Performance, the co-editor of Contemporary Women Playwrights: Into the Twenty-First Century, and a past editor of Theatre Journal. In 2015, she received the Association for Theatre in Higher Education's Excellence in Editing Award for sustained career achievement and the Women and Theatre Program's Achievement Award for Scholarship.

Texte du rabat

Focusing on well-known plays and performances of the late nineteenth- and early twentieth-centuries, Performing Queer Modernism demonstrates that queer performance was integral to modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated the insights of contemporary queer modernist studies.