The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture

Focusing on Glasgow's earliest surviving music hall, the Britannia, later the Panopticon, this book explores the role of one of the city's most iconic cultural venues within the cosmopolitan entertainment market that emerged in British cities in the nineteenth century. Shedding light on the increasing diversity of commercial entertainment provided by such venues offering everything from music hall, early cinema and amateur nights to waxworks, menageries and freak shows this study also encompasses the model of community-based, working-class music hall which characterised the Panopticon's later years, challenging narratives of the primacy of city centre variety.

Providing a comprehensive analysis of this dynamic popular theatre of the industrial age, Maloney examines the role of the hall's managers, marketing and promotional strategies, audiences, and performing genres from the hall's opening in 1859 until final closure in 1938. The book also explores stage representations of Irish and Jewish immigrant communities present in surrounding city centre areas, demonstrating the Britannia's diasporic links to other British cities and centres in North America, thus providing a multifaceted and pioneering account of this still extant Victorian music hall.

Draws on first hand accounts to bring to life an iconic aspect of Glasgow's cultural history Provides a key exploration of the movement from Victorian urban entertainment culture to the modern entertainment market Examines the inner workings of the Britannia Panopticon from multiple angles to provide a comprehensive picture of the hall's evolution

Auteur

Paul Maloney has worked as a stage director in opera and has taught, researched and published widely in the fields of Scottish popular theatre and twentieth century Scottish political theatre. Research Fellow at Queen's University Belfast, Northern Ireland, he is the author of Scotland and the Music Hall, 1850-1914 (2003).

Texte du rabat

Focusing on Glasgow s earliest surviving music hall, the Britannia, later the Panopticon, this book explores the role of one of the city s most iconic cultural venues within the cosmopolitan entertainment market that emerged in British cities in the nineteenth century. Shedding light on the increasing diversity of commercial entertainment provided by such venues offering everything from music hall, early cinema and amateur nights to waxworks, menageries and freak shows this study also encompasses the model of community-based, working-class music hall which characterised the Panopticon s later years, challenging narratives of the primacy of city centre variety. Providing a comprehensive analysis of this dynamic popular theatre of the industrial age, Maloney examines the role of the hall s managers, marketing and promotional strategies, audiences, and performing genres from the hall s opening in 1859 until final closure in 1938. The book also explores stage representations of Irish and Jewish immigrant communities present in surrounding city centre areas, demonstrating the Britanniäs diasporic links to other British cities and centres in North America, thus providing a multifaceted and pioneering account of this still extant Victorian music hall.

Contenu
Chapter 1. Introduction.- Chapter 2. The Britannia Music Hall, 1859-1905.- Chapter 3. 'Flying Down the Saltmarket'.- Chapter 4. 'Ikey Granitestein from Aberdeen'.- Chapter 5. Pickard's Panopticon, 1906-1938.- Chapter 6. 'Paradise for a couple of hours'.