Paper Architecture in Novosibirsk

The first book ever to focus on the Novosibirsk branch of the legendary paper architecture movement during the last decade of the Soviet Union

Cosmic cow sheds, insectoids, Egyptian pyramids, steam locomotive hybrids, and deconstructivist housing projects: during the 1980s, paper architects in Novosibirsk, all of them graduates of the Siberian Civil Engineering Institute, created fantastical utopian designs. Contrary to the commonly held belief that these architectural designs made of paper and created during the late years of a crumbling Soviet Union were never intended to be translated into buildings, the Novosibirsk group actually devoted themselves to a practical application of their ideas. The designs for the kolkhozy (collective forms) in Bolshevik, Guselnikovo, and Nizhny-Ugryum show signs of concrete planning deliberations, integrated into pastoral and often fairy tale-like scenes of country life with tractor stations and witches suspended in the sky. Inspired by Eastern European post-punk, local radical-constructivist projects, and European postmodernism, the Siberian paper architects created a whole range of autochthonous stylistic figures and techniques that have a clear and distinct style. This Novosibirsk style clearly differs from the works by members of the better-known Moscow group of paper architects, such as Alexander Brodsky, Ilya Utkin, and Yuri Avvakumov.

For the first time ever, this book offers a deep insight into Novosibirsk's paper architecture movement and its output. Lavishly illustrated, largely with previously unpublished material from formerly inaccessible Siberian archives, the volume provides a comprehensive survey of this fascinating form of late Soviet-era speculative architecture from the Siberian metropolis that is still far too little known in the Western world.

• Erstes Buch über die in der Sowjetunion der 1980er-Jahre legendär gewordene Bewegung der «Papierarchitekten» in Nowosibirsk
• Zeigt bislang unpublizierte oder im Westen kaum bekannte, fantastische Entwürfe von Protagonistinnen und Protagonisten dieser radikal utopistischen Absolventen des Sibirischen Instituts für Bauingenieurwesen
• Bietet völlig neue Einblicke in das vom Westen weitgehend abgeschottete, von ihm jedoch beeinflusste spekulative Schaffen der jungen und angehenden Architektinnen und Architekten in der sibirischen Metropole

Auteur

Ruben Arevshatyan ist Künstler und Kunstforscher. Er lehrt am Institut für Moderne Kunst in Eriwan und war Kurator des armenischen Pavillons auf der Internationalen Architekturausstellung 2014 der Biennale in Venedig.

Anton Karmanov ist ein in Nowosibirsk lebender Künstler und Forscher der sibirischen Moderne und der Papierarchitekturbewegung in Nowosibirsk.

Georg Schöllhammer ist ein österreichischer Kurator, Autor und Herausgeber im Bereich Kunst und Architektur, Gründer und Herausgeber des Kunstmagazins Springerin und Leiter des Kunstnetzwerkes tranzit.at.