Persian Gardens and Pavilions

Zusatztext Much has been written about Islamic gardens and Islamic architecture. Mohammad Gharipour usefully discusses the relationship between the two?the contents are clearly arranged. Informationen zum Autor Mohammad Gharipour is professor at the School of Architecture and Planning at Morgan State University. The recipient of the Hamad Bin Khalifa Fellowship in Islamic Art and the Spiro Kostof Fellowship Award from the Society of Architectural Historians, Gharipour has published extensively on architectural history. He is the the author of Gardens of Renaissance Europe and the Islamic Empires, Synagogues of the Islamic World, and Historiography of Persian Architecture and is editor of 'Bazaar in the Islamic City' (2012) and the founding editor of the 'International Journal of Islamic Architecture'. Klappentext From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values.It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan ( The Orchard ) and Golestan ( The Rose Garden ), the garden and the pavilion can be seen to have crucial semiotic significance and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions.This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies. Zusammenfassung From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroa...

Préface
From Timur's tent in Samarqand to Shah Abbas' palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since the sixth century BC. This title explores the relationships between human beings and their domestic environments in Persian history.

Auteur
Mohammad Gharipour is professor at the School of Architecture and Planning at Morgan State University. The recipient of the Hamad Bin Khalifa Fellowship in Islamic Art and the Spiro Kostof Fellowship Award from the Society of Architectural Historians, Gharipour has published extensively on architectural history. He is the the author of Gardens of Renaissance Europe and the Islamic Empires, Synagogues of the Islamic World, and Historiography of Persian Architecture and is editor of 'Bazaar in the Islamic City' (2012) and the founding editor of the 'International Journal of Islamic Architecture'.

Texte du rabat

From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significance and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.

Contenu
List of Illustrations Acknowledgements Chapter 1: Introduction Chapter 2: The Garden and Pavilion in Near Eastern Pre-Islamic Texts, the Qur'an and Persian Poetry Chapter 3: The Garden and Pavilion in Persian Art Chapter 4: The Garden and Pavilion through the Lens of Travelers and Historians Chapter 5: Conclusion Matrix Glossary of Terms Poets, Historians and Travellers Notes Bibliography Index